Movie Review: It (1990)

The cast of It (1990) strike a pose. (Source: Warner Bros.)

In 1986, Stephen King has published his most ambitious book. It, a book about a group of kids teaming up to fight off a supernatural being that kills children, became the best-selling book of that year. This 1,000-page long epic has the full package: humor, heart, and straight-up horror. Adapting the book into a feature-length film isn’t a bad idea, unless it airs on television. Four years later, director Tommy Lee Wallace, screenwriter Lawrence D. Cohen (Carrie), and a gifted cast collaborate on bringing Stephen King’s book to life on ABC as a two-part miniseries.

Does It work? No—but it doesn’t mean it’s a complete waste of time.

Instead of taking place in 1957 and 1985 (like in the book), the movie takes place in 1960 and 1990. A shape-shifting creature known as “It”, who preys on children taking form on what they fear the most. Primarily taking the form of Pennywise the Clown (Tim Curry), he terrorizes the town of Derry, Maine, every 30 years. Every day, kids either go missing or end up getting killed by Pennywise. Mike Hanlon (Tim Reid), the only African-American living in Maine, calls his childhood friends about It resurfacing from the Earth.

His friends are as follows:

– Bill Denborough (Richard Thomas, The Waltons), a successful writer with a stutter that gotten worse as a child after his young brother Georgie (Tony Dakota) got killed by Pennywise while trying to retrieve his paper boat down a storm drain.

– Ben Hanscom (John Ritter, Three’s Company), the new kid in town who went on to become an architect.

– Eddie Kaspbrak (Dennis Christopher), the one with asthma who runs a successful limousine business.

­– Richie Tozier (Harry Anderson, Night Court), the goofball with a talent of doing voices, who would eventually become a comedian.

­­­­– Beverly Marsh (Annette O’Toole, Smallville), the only female in the group, who grew up with an abusive father (Frank C. Turner), joins the group after running away from it all. She has a great eye when it comes to using a slingshot. Later on, she became a fashion designer.

– Stan Uris (Richard Masur), a Jewish kid who is the biggest smart-ass of the group. He later becomes a successful accountant.

While known as “The Losers”, they must reminisce about their childhoods until they reunite to get rid of It once and for all.

Adapting a marvelous novel into a made-for-TV movie would mean to take out every graphic detail and language from the novel. As a result, the movie plays it safe. The movie does have its moments. The first half is particularly strong, due to the chemistry between the child actors (it’s a shame Jonathan Brandis, who played young Bill, died too soon) and conjuring up some pretty decent scares. The second half, however, falters from being too soapy and too silly (not to mention the image of the dog dressed up as the clown). Tim Curry’s Pennywise is the main reason why the movie is worth watching. He maybe goofy and innocent-looking wearing bright colors, but his sinister side is what makes his performance shine. But—the sets and the effects do not hold up 27 years later (don’t get me started on that climax). I’m glad It is being remade into something much darker. Bring on, Friday night!

2/4

“Carrie”: Chilling Stephen King Adaptation Holds Up 40 Years Later

Sissy Spacek behind the scenes of Carrie (Source: IMDb).

In 1975, Jaws sounded like your a typical B-movie premise. However, the main focus in this horror/thriller blockbuster is the humanity behind our three heroes while going out into the Atlantic Ocean to kill a great white shark. Not only did it make audiences scared of going in the ocean, it also changed the face of horror forever. Meanwhile, before directing Scarface, Brian De Palma got his hands on a hardcover book by an unknown (at the time) author named Stephen King. The book is Carrie.

Carrie (1976) was certainly ahead of its time. It became the first adaptation by King, eventually helmed as “The King of Horror”. Many of his books and short stories have been adapted into wonderful films (Stand by Me, Misery, The Shawshank Redemption, The Green Mile) as well as some bad ones (The Mist). 40 years to the day, it still guarantees to frighten generations of filmgoers. While the movie can be viewed as a supernatural horror film, it also can be viewed as a high school film and a film about adolescent angst. De Palma is the only master filmmaker to create such a work of art!

It’s hard not to write about Carrie without giving spoilers. Make sure you have seen the movie.

“Thou shalt not suffer a witch to live.” (Source: Times Union)

Carrie White (Sissy Spacek) is a shy and lonely girl. She’s a senior at Bates High School—one of many homages to Alfred Hitchcock’s Psycho—who is always getting picked on or ignored by her peers. At home, she gets abused by her mother Margaret (Piper Laurie, who came back under the spotlight 15 years after The Hustler), a religious freak who goes out of her way to use her beliefs on her. One day, Carrie gets invited to the upcoming senior prom by Tommy Ross (William Katt), despite the dismay of her mother. No one knows, besides her mother, that she has telekinesis, the power to move things with her mind. She has no idea what she is in for at the prom.

Stephen King wrote Carrie in an epistolary style—telling the narrative in the form of letters, newspaper articles, magazine editorials, and investigative reports. Lawrence D. Cohen kept the book’s nature in his screenplay; however, he decided to get rid of the novel’s structure and tell the movie’s narrative in a straightforward fashion. A few changes from the book have been made, such as the shocking ending (in which Stephen King loved) and a scene where it would have been too dangerous and over-the-top. Unlike the book, the audience sympathizes with Carrie from the opening scene where she and her classmates are taking a shower and changing up after gym class. A long tracking shot (in slow-motion) moves through the locker room where the girls are in the nude and ends on Carrie taking a shower. All of a sudden, she has her first period. Without having an idea what to do, her classmates–queen-bee Chris Hargensen (Nancy Allen), Sue Snell (Amy Irving), Norma (P.J. Soles, who would go on to star in John Carpenter’s Halloween) and others begin to throw tampons at poor Carrie chanting “Plug it up!” until Miss Collins (Betty Buckley) breaks up the commotion. Later, her mother convinces Carrie that menstruation is a sin, and locks her in a closet with Catholic imagery (including an eerie-looking figurine of St. Sebastian) to pray “and ask to be forgiven”.

A year after her stunning performance in Terrence Malick’s Badlands, Sissy Spacek worked as a set designer with her husband Jack Fisk (who also worked as the set designer for Carrie) for De Palma’s cult hit Phantom of the Paradise (1974). In her autobiography, My Extraordinary Ordinary Life, she described her experience as “the hardest job I ever did.” After making a mess with one of the sets, De Palma went as far as calling her “as the worst, no-talent set decorator he’d ever worked with.”[1]

But, Spacek impressed the hell out of De Palma at her audition where she walked in with Vaseline in her hair without washing her face, and feeling bad for herself. Everybody, including some the cast of Carrie, auditioned for Star Wars (William Katt auditioned for Luke Skywalker before being cast as  Tommy Ross). Spacek captures the frustration and optimism of Carrie to perfection. I can relate to her struggle with my own experiences with bullies in middle school and my early years of high school. She and Piper Laurie received Oscar nominations for their performance, which is unusual and surprising for a horror film. As amazing as Spacek’s performance in Coal Miner’s Daughter (1980), the fact that Spacek got snubbed for her first Oscar is actually depressing. Along with Laurie (who described the movie as a dark comedy due to her terrifying, over-the-top performance), Spacek is absolutely electrifying!

As mean-spirited as Carrie is, De Palma does deliver with its moments of dark humor and tender moments. Carrie sees Miss Collins as her only positive role model. When Carrie tells her Tommy invited her to the prom (because Sue felt guilty for becoming a part of the shower incident, she decided to make it up for it by doing her boyfriend a favor to take her), Miss Collins becomes ecstatic. “I know who he goes around with, he’s just trying to trick me again,” Carrie says. Miss Collins convinces her how beautiful she is.

Meanwhile, after being banned from the upcoming prom for ditching detention, Chris and her boyfriend Billy Nolan (John Travolta, in his first major film role, where he, at one point in the film, comes up with Larry the Cable Guy’s catchphrase) decide to go out of their way to humiliate Carrie at the prom. They decide to make her Prom Queen and dump a bucket of pig’s blood on her. The prom sequence is where Brian De Palma showcases his talents.

“Carrie…We’re here…And we’re together.” (Source: Blastr)

Early on in the prom, Tommy and Carrie decide to share at least one slow dance together. The scene is set up with a camera spinning around them while they are dancing. It starts off slow and picks up speed to the point of going out of control. This is the only moment in the film—if not, her entire life—where Carrie has experienced true happiness. At the same time, however, it hints at what is going to happen to her next. De Palma uses the slow-motion technique as a way of making the sequence as a fantasy before making the shift to the cruel reality, especially in the sequence where Carrie is announced Prom Queen before eventually having her “Cinderella moment” ruined after having her baptismal bloodbath (“You’re a woman now,” Carrie’s mother says to her earlier in the film).

At this moment, Carrie releases her telekinetic powers upon the senior class and faculty. Unlike the 2013 remake (I’ll talk about it some other time), where she uses her powers like an X-Men mutant, she uses her powers through her emotions. Case in point, in the film’s most iconic sequence, she gets really pissed off (take notice of the blood-red lights). With the use of the split-screen, she uses her powers to her full advantage with her eyes wide open. Her presence on the stage sends shivers down my spine.

“They’re all gonna laugh at you!” (Source: Moviefone)

It’s rare for a horror film, like Carrie, to have so much humanity. Brian De Palma and his team manage to make a film superior to Stephen King’s first novel. With the 2002 television remake and the 2013 theatrical remake, neither compare to the magic of the 1976 classic. It’s such a shame Brian De Palma didn’t have a great filmmaking career after Mission: Impossible (1996), which led him to eventually retire. Nevertheless, Carrie is one of those horror movies that I will continue to watch for a long time.

[1] Sissy Spacek, My Extraordinary Ordinary Life. p. 156, 158.