In 2000, M. Night Shyamalan made a movie where it used the superhero genre with a twist. While a modest hit in theaters, Unbreakable became one of the greatest cult classics of all-time. Filled with originality, subtle performances by Bruce Willis and Samuel L. Jackson as David and Elijah, two individuals who discuss a comic-book theory after David survives from a tragic train crash without breaking any bones, and Shyamalan’s clever writing and directing approach by having a comic-book feel to every shot (e.g. the greens and purples during the characters’ arcs).
After years of mishaps, Shyamalan returns to form with Split, an unnerving psychological thriller about the effects of dissociative identity disorder. James McAvoy’s wonderful performance as Kevin Wendell Crumb, inspired by the real-life DID patient Billy Milligan, will send chills down one’s spine. These three people would eventually meet each other for the first time in a third movie.
Enter Glass, a movie with every intention to become a satisfying finale to one of the best trilogies in existence. Unfortunately, this is half-true.
After the events of Split, security guard David Dunn (Willis) works at a security firm in Philadelphia. Taking the alias The Overseer, he uses his supernatural abilities to see crimes people have committed by bumping into them. He learns from his now-adult son Joseph (Spencer Treat Clark) that Kevin (McAvoy) is holding a group of cheerleaders hostage in an abandoned factory. After an intense fight, they are sent to the same psychiatric hospital that wheelchair-bound Elijah Price (Jackson), who has Type 1 osteogenesis imperfecta (a rare disease in which his bone breaks really easily), has been staying at for years. While under the supervision of doctor Ellie Staple (Sarah Paulson) specializes in patients who believe to be superheroes (which sounds far-fetched beyond repair. There is something about her motivation that makes it somewhat captivating), all hell begins to break loose,
While not a complete disaster, it’s great to see Shyamalan return to his familiar roots after the surprise of Split. Jackson and Willis aren’t given much to do, but they do have their shining moments. However, McAvoy steals the spotlight once again as Kevin. While Split showed only nine of his 24 personalities, this movie shows 20 of them. Just like before, some of his personalities–particularly Hedwig–can be funny in an unnerving way. I swear, one of his personalities almost reminded me of Nic Cage. There is also more backstory surrounding him and other characters.
Along with his cinematographer Mike Gioulakis, he uses a lot of clever film techniques (ranging from POV to its flashbacks). I love the shot where Elijah escapes in his wheelchair while a fight ensues in the background. The first two acts are gripping enough. It reunites the characters we know and love. It’s also surprising to see the return of some supporting characters from the previous entries, like Kevin’s former hostage Casey (Anya Taylor-Joy) and Elijah’s mother (Charlayne Woodard). There is a lot of patience given as the three characters start to evolve and learn about Elijah’s theory about the existence of superheroes, in which Glass does a great job exploring deeper into. There are plenty of twists throughout the film, in which Shyamalan is known for, which is part of the problem.
Without giving anything away, the last act, while exciting, feels a little too busy. It comes off as being preposterous and pedestrian, even by Shyamalan’s standards. It leaves people scratching their heads once the credits start to roll. Despite the disappointing final act, Glass is still gripping as it is fascinating. I’m more than glad these movies exist.