Top 100 Best Movies of the 2010s: 40-31


(Source: The New York Times)

40. Good Time (2017) – I had a fantastic time with this crime drama from directors Josh and Benny Safdie. I have never seen a movie so gripping yet so engaging. I’m so glad Robert Pattinson has left his Twilight years far behind him. He has never been better as a New York robber who will stop at nothing to rescue his mentally disabled brother (Benny Safdie) after a bank robbery goes wrong. Good Time is one fast-paced, noirish thriller with vivid cinematography by Sean Price Williams, confident direction by the Safdies, and a gifted cast including Barkhad Abdi and Jennifer Jason Leigh in minor yet effective roles.


(Source: The Verge)

39. Thor: Ragnarok (2017) – After the disappointment of Thor: The Dark World, Taika Waititi decides to give a sequel we all deserve. A sequel that never takes itself too seriously and has an absolute blast with its material. Although the movie is visually stunning and action-packed, this movie showcases its true superpower: a sense of humor. Chris Hemsworth, Tom Hiddleston, Mark Ruffalo, Tessa Thompson, Jeff Goldblum among others have such great comedic timing and not ashamed to improvise. Did you know the line, where Thor refers to The Hulk after he makes his grand introduction, “We know each other! He’s a friend from work” was suggested by a kid from the Make-A-Wish Foundation?


(Source: Letterboxd)

38. Oslo, August 31st (2011) – Nothing but a perfect end-of-summer treat, this Scandinavian drama about Anders (Anders Danielsen Lie), a drug addict getting out of rehab to find a job and encounter old friends. This is a stunning, subtle, sympathetic film of redemption. Nothing more or less.


(Source: The New York Post)

37. The Grand Budapest Hotel (2014) – Wes Anderson has been an American indie cinema icon since the 1990s, after the failure of Bottle Rocket and the success of Rushmore. Heading into the 21st century, he has created some of the quirkiest and most unique films of all-time. The Grand Budapest Hotel became his first ever to receive a well-deserved Best Picture Oscar nomination. Ralph Fiennes plays one of the best characters in all of Wes’ films as M. Gustave, a smooth-talking, womanizing concierge at a European hotel who is falsely accused of killing his lover Madame Desgoffe und Taxis (Tilda Swinton, in a role originally going to be played by Angela Lansbury). With the help of his lobby boy Zero (Tony Revolori), he must break free from prison and prove his innocence. 


(Source: Vox)

36. Hell or High Water (2016) – David McKenzie’s neowestern contains as much grit as No Country for Old Men and as much wonder as Unforgiven. Hell or High Water contains one of the best screenplays of the past ten years, kudos to the great writing by Taylor Sheridan. It’s a shame Ben Foster and Chris Pine didn’t earn any Oscar recognition as two brothers pulling a series of bank heists in order to save their family ranch in Texas. They both balance tenderness with roughness to a T. Jeff Bridges provides plenty of laughs as the Texas Ranger trying to catch the brothers before their next robbery. The final scene between him and Chris Pine is something to behold. A perfect end-of-summer feat!


(Source: Film School Rejects)

35. Inception (2010) – Christopher Nolan makes some of the most ambitious films ever made. Inception is one helluva trippy, spellbinding adventure into the subconscious. It’s one of those movies where you must watch from the very beginning, or else you will have no idea what is going on. Leonardo DiCaprio leads a stellar cast as Dom Cobb, a leader of an espionage team who steal other people’s dreams. Featuring mind-blowing action with barely a hint of CGI, brilliant cinematography by Wally Pfister, fantastic score by Hans Zimmer, and a narrative that makes you think to no end, Inception will stick with you for days.


(Source: The New York Times)

34. Nebraska (2013) – Bruce Dern has been in movies for a long time. This is one of his finest performances of his entire career as Woody Grant, an elderly man who takes a road trip with his son David (Will Forte) from Billings, Montana, to Lincoln, Nebraska, to claim a million-dollar sweepstakes prize. On their way, they stop at his family’s house. Shot in gorgeous black-and-white, Alexander Payne’s story is a good slice of Americana with a dry sense of humor and a sense of realism. The acting is so superb they feel like real people going on their everyday lives. Although the movie is rated R, it’s a perfect movie for mature teenagers.


(Source: IMDb)

33. Sing Street (2016) – After his American debut of Begin Again, John Carney returns to his native Ireland for this musical set in 1985. This is a wonderful movie about chasing your dreams. With a talented cast of child actors, wonderful music (containing classic pop songs and toe-tapping original music numbers), and a feel-good narrative, Sing Street is guaranteed to leave a smile across your face long after the credits start to roll. I’m as shocked as everyone else this didn’t receive any Oscar recognition.


(Source: IMDb)

32. Philomena (2013) – Here’s a devastating movie that will make you feel good at the end. It follows the true story of British journalist Martin Sixsmith (Steve Coogan) helping an Irish woman named Philomena Lee (Judi Dench) find her son, who was given up for adoption when she lived in an orphanage years ago. Their journey takes them as far as Washington, DC. They begin to learn the shocking truth about Philomena’s son and each other. 


(Source: The New York Times)

31. Baby Driver (2017) – This is one of those movies where it gets better with each repeated viewing. Baby Driver is something only Edgar Wright can make. Years after getting it developed, it has never looked more thrilling. Ansel Elgort leads a stellar cast featuring Lily James, Jon Hamm, Jamie Foxx, and Kevin Spacey in this darkly comedic and suspenseful car-ride with a kick-ass soundtrack. Seeing it at home will never be the same as seeing it in theaters, particularly the scene during a warehouse shootout where the gunshots go in sync with the music. Remember: “The moment you catch feelings is the moment you catch a bullet.”


100-91 90-81 | 80-71 | 70-61 | 60-51 | 50-41 | 40-31 | 30-21 | 20-11 | 10-1


Top 10 Best Movies of 2014

Now we’re working our way to the top. There are several great movies that I have missed in theaters this past year, like Whiplash, Nightcrawler, The Theory of Everything, John Wick, Foxcatcher, and St. Vincent. But I was lucky to catch lots of fantastic movies in theaters. Here is my list of the best movies of 2014.

Honorable Mentions: 22 Jump Street, American Sniper, Belle, Big Eyes, Big Hero 6, Captain America: The Winter Soldier, Chef, Edge of Tomorrow, The Fault in our Stars, Fury, Godzilla, How to Train Your Dragon 2Interstellar (even though it was overhyped, there was plenty to like about this movie), Into the Woods, The LEGO Movie, Noah, Wild

Snowpiercer10. Snowpiercer – This is one of the best movies that got snubbed in this year’s Oscars. Korean director Bong Joon-Ho makes a futuristic picture with a George Orwell vibe. Global warming has been reversed, which causes humanity to be killed off. The remaining survivors aboard a train that is separated by three classes. Sitting in the caboose, one of the survivors (Chris Evans) leads a group of low-class citizens to make their way to the front of the train. Featuring an all-star cast, thought-provoking themes involving society, brutal action, and amazing special effects, Snowpiercer is worth the train ride.

hobbit-battle-armies9. The Hobbit: The Battle of the Five Armies – I personally consider The Hobbit as the most underrated film trilogy. It was great going back to experience the magical world of Middle-Earth while reuniting with characters that I’ve known, loved, or loved to hate; as well as meeting new faces. This trilogy has been a long, unexpected, and downright exciting journey. Even though the trilogy changed the main focus to be on Thorin Oakenshield than Bilbo Baggins, it still stays true to J.R.R. Tolkien’s book. Being the shortest film in the franchise (144 minutes), The Battle of the Five Armies ends the trilogy with a bang. A lot of emotion, breathtaking battle scenes (especially the final battle being the best since The Lord of the Rings: The Return of the King), and an amazing song by Billy Boyd playing during the end credits is enough to become one of the year’s best. Thank you, Peter Jackson, for making two of the best film trilogies in recent years.

THE IMITATION GAME8. The Imitation Game – Benedict Cumberbatch is becoming one of my favorite actors. From playing detective Sherlock Holmes to the dragon Smaug in The Hobbit trilogy, now he plays Alan Turing in an exquisite performance. If you don’t know who he is, he was a leader of the breaking of the Enigma code during World War II. Then, he became convicted for his homosexuality, which was considered illegal in the U.K. in 1952. Despite the problems he went through, he became the inspiration for the computer that I’m typing my blog posts on. I don’t give a damn if this movie is historically inaccurate. A historical piece doesn’t have to be accurate. I loved every bit of this funny, heartbreaking, and moving historical piece.

X-Men-Days-of-Future-Past7. X-Men: Days of Future Past – Bryan Singer came back to direct the sequel to X-Men: First Class eleven years after X2: X-Men United. Not only is it one of the best movies from the summer, it’s also the best in the X-Men franchise. It’s great to have Brits Patrick Stewart and Ian McKellen reprising their roles of Professor X/Charles Xavier and Magneto/Erik Lehnsherr. But the focus is on Logan/Wolverine, as always excellently played by Hugh Jackman, as the team uses his consciousness to send him back to 1973 to prevent robots from taking over the world. Along the way, he encounters the younger versions of Xavier and Lehnsherr (James McAvoy and Michael Fassbender) to help him to save the past to prevent the future. This movie had just enough action, special effects, character development, and humor. Not to mention the scene involving Quicksilver in the White House kitchen with Jim Croce’s “Time in a Bottle” playing in the background has to be the funniest and the coolest action set piece of the decade. I cannot wait to see how Quicksilver would be portrayed in The Avengers: Age of Ultron. I don’t know if Joss Whedon will make him as funny as Bryan Singer did in X-Men: Days of Future Past. We’ll see.

Dawn-POTA6. Dawn of the Planet of the Apes – Three years ago, Rupert Wyatt directed Rise of the Planet of the Apes, a reboot of the 1968 classic Planet of the Apes. I couldn’t have asked for a better climax – with similarities of Conquest of the Planet of the Apes – building up to its sequel, Dawn of the Planet of the Apes. Matt Reeves takes the franchise to a completely different level. Even though it has similarities of Battle for the Planet of the Apes, this throws the sequels out of the water. This movie reminds us why there is motion-capture. I hope Andy Serkis gets a special Academy Award for bringing motion-capture to life. His performance as Caesar is as powerful as in Rise. The scene in which he watches a video on a fully charged camcorder of himself as an infant being taught by Will the scientist is one of the most emotional scenes of the year. I think that’s why I prefer Rise and Dawn over the original Planet of the Apes films. Because they offer more emotion.

GuardiansOfTheGalaxy5. Guardians of the Galaxy – One of the biggest surprises of the summer, indie director James Gunn introduces a group that a lot of people have never heard of. He puts enough wit and charm into these characters to make us connect with them. I saw Guardians of the Galaxy three times in the theater, I had a blast each time I saw it. When Peter Quill (Chris Pratt, in an awesome performance) turns on his Walkman and dances to Redbone’s “Come and Get Your Love” on an abandoned planet, I knew I was in for a treat. Even though it features breathtaking visuals and exhilarating action, the main focus is the memorable characters and the witty dialogue. Not to mention the best soundtrack in recent memory. Cannot wait for the sequel.

Ben Affleck in Gone Girl4. Gone Girl – There are several movies this past year that made me speechless once the credits started rolling. Gone Girl is one of those movies. Based on Gillian Flynn’s bestselling novel, Ben Affleck delivers the performance of his career as Nick Dunn, who becomes a suspect of his wife’s disappearance. I always like a good mystery. But there was rarely one where it had me on the edge of my seat from the first image. Kudos to a great marketing campaign, David Fincher and his team make an atmospheric thriller that gives a realistic glimpse of the media. With dark humor, many twists and turns, and a haunting score by Trent Reznor and Atticus Ross, Gone Girl has the feeling of a film noir. The gorgeous Rosamund Pike plays the craziest wife I’ve ever seen in a movie. She is an enigma to the characters as well as the audience through narration and flashbacks. I want her to beat Julianne Moore for the Best Actress Oscar.

07GRAND-articleLarge3. The Grand Budapest Hotel – Wes Anderson is one of my favorite filmmakers. I love almost all of his films. Unlike most filmmakers, he has his own unique style. Moonrise Kingdom is the first film that introduced me into his colorfully surreal world of zaniness. After seeing all of his early films, I wasn’t disappointed with The Grand Budapest Hotel. Wes Anderson has made the funniest film of his career. I couldn’t picture anyone else playing a better performance as Monsieur Gustave H. other than Ralph Fiennes. He has so much wit and charm as the flirtatious concierge who embarks on a journey to clear his name after being accused of murdering his former lover. His timing is spot-on. With a terrific ensemble featuring F. Murray Abraham, Adrien Brody, Willem Dafoe, Jeff Goldblum, Edward Norton, Saoirse Ronan, Jason Schwartzman, Tom Wilkinson, and newcomer Tony Revolori, The Grand Budapest Hotel is definitely worth the visit. I’m surprised it got nine Oscar nominations (including Best Picture) this year.

Birdman2. Birdman – Nominated for nine Oscars including Best Picture, Birdman, or The Unexpected Virtue of Ignorance is the greatest film that Alfred Hitchcock or Alfonso Cuarón never made. Alejandro González Iñárritu and cinematographer Emmanuel Lubezki make the most technically ambitious film of the year, using various film and editing techniques to make it look like it’s one continuous shot. The scene where washed-up actor Riggan Thomson holds a grudge on a New York Times theatre critic who is going to give his play a negative review before opening day proves that Michael Keaton might win the Oscar. This is a funny, satirical, bizarre, philosophical, and moving picture that reminds us why movies are made.

Boyhood-11. Boyhood – There has never been a film from 2014 that moved me as much as Boyhood did. Richard Linklater started production on this 12-year project in 2002 using the same actors and the same crew. It feels like he didn’t just make a film, but rather a lesson on adolescence. Linklater naturally depicts how kids and teenagers behave. Even though there aren’t any subtitles on what year we’re in, the audience sees the main character Mason (Ellar Coltrane, in a wonderfully convincing performance) grow up right before their eyes when his voice deepens, his hair grows longer, or if there is a conversation about the war in Iraq. This is a film that made me relate the fun times and hard times I had as a child and the responsibilities I’m going to have as an adult.

There are times in the film where Richard Linklater references his early films. There are scenes involving Mason having conversations with his father (amazingly played by Ethan Hawke) about a possible Star Wars sequel, getting advice, and talking about their day. They connect to Before Sunrise, Before Sunset and Before Midnight. Patricia Arquette needs to earn her Oscar as Mason’s mother who is trying to do the best she can for her kids.

To quote Richard Roeper: “There are so many things that could have gone wrong with this project when you really think about it. What if young [Ellar] Coltrane grew up to be a terrible actor in his teens? What if Lorelei [Linklater] decided five years ago she didn’t want to be in her dad’s movie anymore? Fortunately, for Linklater, and for us, it all came together beautifully.”

Boyhood is the most special movie-going experience I’ve ever had at the movie theater. Not only is it the best movie of 2014, it’s also the best movie of the decade so far and one of my favorites of all-time. This is a movie that should be seen by everyone.

I hope you enjoyed reading my choices for the best films of 2014. Feel free to leave a comment on what your favorite films of 2014 are. I cannot wait to see more great films this year. Take care.

Movie Review: The Grand Budapest Hotel (2014)

What else to say but: WHAT A CAST!

What else to say but: WHAT A CAST!

Wes Anderson’s new film, The Grand Budapest Hotel, is his funniest and most dramatic piece to date. Providing a performance by Ralph Fiennes who performs his lines on such a perfect note, he makes the audience feel welcome. Probably even more welcome than Johnny Depp, if he played the lead role. It also provides a terrific ensemble, very fast-paced dialogue, quirky/off-beat characters, wonderful sets, and a great story inspired by the works of a forgotten author, Stefan Zweig.

The Grand Budapest Hotel begins in the present, where a teenage girl walks into a cemetery. She begins reading a memoir about an author’s visit to the hotel in 1968. We, then, flashback to 1985 where the author (Tom Wilkinson) ponders his experience at The Grand Budapest Hotel in the Swiss Alps in the fictional European Republic of Zubrowka. He begins recording his story while we, yet again, flashback to 1968.

Over the years, the hotel has gone through hard times with war and poverty. The author at a young age (Jude Law) meets an unlikely person named Zero Moustafa (F. Murray Abraham), the hotel’s concierge. When Zero invites him for dinner, he tells him his story on how he became the concierge.

We flashback, one last time, to 1932 with Zero at a young age (newcomer Tony Revolori) becoming the new lobby boy at the hotel and the protege of M. Gustave H. (Ralph Fiennes). The hotel’s first concierge makes out with the elderly woman who come to his hotel for his pleasure. When he becomes accused of murdering his lover Madame Desgoffe-und-Taxis (Tilda Swinton; unrecognizable in the old-age make-up), he must prove his own innocence.

I think Johnny Depp would have been a good choice to play the lead role. Hell, even he would be a great choice to play the lead in any Wes Anderson movie. However, no one can play a much better role than Ralph Fiennes. He performs M. Gustave with so much wit and charm that you see him disappear into the role. His delivery of his lines is spot-on. The cast performs really well, including newcomer Tony Revolori. The cameos featuring fellow Anderson collaborators Bill Murray and Owen Wilson are note-worthy.

The Grand Budapest Hotel has a perfect blend of comedy and drama.  The movie satirizes the fall of World War I and the rise of World War II. Its dialogue is fast-paced; following the path of the screwball comedies of the Depression era (the films featuring the Marx brothers). The characters have a unique quirkiness. Particularly Agatha (Saoirse Ronan), the baker of the hotel who becomes Zero’s lover and the one who helps M. Gustave getting out of jail. On her right cheek, she has a birthmark in the shape of Mexico. Why does she have a Mexico-shaped birthmark? Beats me. It’s just a typical Wes Anderson quirk.

The movie is not without its dramatic moments. Like in The Life Aquatic, violence is a very unusual factor, even by Anderson’s standards. The Grand Budapest Hotel features a well-executed gunfight in the hotel, and a well-shot chase in the ski slopes that had me on the edge of my seat. The movie has a pretty depressing theme involving how nostalgia can end with the rise of war.

Wes Anderson creates a world that is vibrant in color and surreal in its style that makes me wish I want to extend my visit in The Grand Budapest Hotel. This is the best film of 2014 so far.