How can something so simple go somewhere so deep?
After Disney’s surprisingly wonderful remake of Pete’s Dragon, director David Lowery returns to his indie roots with the Sundance hit A Ghost Story. It reteams the duo of the sluggish yet decent Ain’t Them Bodies Saints. It might turn people off who expect it to be a straight-up horror film. With a budget of $100,000 and shown in the 1.37.1 aspect ratio, Lowery explores the afterlife through the eyes of a person wearing the cheapest Halloween costume in the world. This is a strange yet devastating roller-coaster ride through the afterlife.
C (Casey Affleck) is a musician living in a house in rural Texas with his wife M (Rooney Mara). They both keep hearing bumps in the night; trying to find the source of the sounds. As C dies from a car crash, he wakes up in the hospital in a white sheet with two black holes for eyes. As a ghost, he walks back to his house to reconnect with M. No one seems to notice he still exists. C’s ghost goes on a journey through the past, present, and future.
In his first Sundance feature-length hit Ain’t Them Bodies Saints, Lowery pays homage to Terrence Malick with films, such as Badlands and Days of Heaven. It comes as no surprise for A Ghost Story that it has ties with Malick among other directors. Ranging from faraway shots and long takes, Lowery and cinematographer Andrew Droz Palermo put it to good use with every shot, accompanied by Daniel Hart’s haunting score. They are nothing short of breathtaking!
A Ghost Story features very minimal dialogue. The old saying, “Actions speak louder than words”, is rather appropriate here. In one particular scene, the ghost watches his wife grief in silence while eating a whole pie. During the long take, we see her get more upset after each bite until she rushes to the bathroom to throw it up. As devastating as the scene is, it’s quite impressive to see it done in one take. It proves how talented Rooney Mara is.
Affleck’s performance is one of the most subtle yet ambitious performances to date. Fresh from winning an Oscar for Manchester by the Sea, he spends most of the movie in the bedsheet without delivering a single line (with the exception of a few in the beginning and the end of the film). With the theme involving the endurance and perception of time, Affleck’s ghost spends time observing his wife move out of his house as other people start to move in; including a Hispanic family and one of the partygoers (Will Oldham) talking about the end of the universe. “We do what we can to endure…you do what you can to make sure you’re still around after you’re gone,” he says, summing up the film’s main idea.
A Ghost Story may not be for everyone. It doesn’t move at a fast pace. However, for those who are patient and willing to give it a shot, be my guest. You might love it or hate it. For me, one of the main reasons why I think this one of the best films of the year is that it’s full of originality, which is rare for movies nowadays. This definitely requires repeated viewings.