2018 Summer Movie Review: Mamma Mia! Here We Go Again

Film Title: Mamma Mia! Here We Go Again

Young Donna (Lily James) sings with The Dynamos in the sequel to the 2008 sleeper hit Mamma Mia! (Source: Variety)

Based on the popular stage musical, the 2008 sleeper hit Mamma Mia! was a campy, silly, and harmless yet somewhat enjoyable film. It featured a great cast singing their own renditions of ABBA’s greatest hits (as well as some overlooked ones)–some good and some bad–on a beautiful island on the coast of Greece. The classy yet overhyped Meryl Streep was the heart and soul of the movie. Ten years later, the original cast are back in Mamma Mia! Here We Go Again. They join other talented actors to sing, dance, jive, and have the time of their lives. The sequel is like a B-side of a vinyl record. Nobody asked for another one of these movies, but if there is one surprise to come out this summer, it’s definitely this one!

This movie is a prequel/sequel; going back and forth between 1979 to the present day. One year after the events of the first film, Donna (Meryl Streep) has passed away from…who knows what? Her daughter Sophie (Amanda Seyfried) is struggling with her marriage with her husband Sky (Dominic Cooper). She invites her relatives to the grand reopening of the villa, under the management of Señor Cienfuegos (Andy Garcia), on the fictional Greek island of Kalokairi dedicated to her mother’s memory, while unaware about the arrival of an estranged guest (Cher).

Meanwhile, in flashbacks, the audience learns how young Donna (Lily James) graduated from Oxford University with her friends Tanya (Jessica Keenan Wynn) and Rosie (Alexa Davies). She decides to travel around Europe where she falls in and out of love with three handsome beaus–Swedish sailor Bill (Josh Dylan), Irish architect Sam (Jeremy Irvine), and English banker Harry (Hugh Skinner)–who would become Sophie’s possible fathers (Stellan Skarsgård, Pierce Brosnan, and Colin Firth, respectively). To tell their story, they sing and dance the night away.

A sequel might not have been the most necessary, but it’s interesting to see how the story started and continued after the original, where Sophie’s actual biological father being left ambiguous. Being a fan of ABBA, how hard is it to resist?

James made a brief singing debut in the 2015 remake of Cinderella, where she sang a snippet of the English lullaby “Lavender’s Blue” and the famous “A Dream is a Wish Your Heart Makes” during the credits. She also sang a little in last year’s action film Baby Driver. This movie, however, features the performance of her lifetime.

Her spectacular performance captures the bubbly, energetic and optimistic spirit of Streep, with her long, curly blond hair and infectious smile–not to mention, amazing singing voice. It’s hard not to smile and tap your toes during her delightful rendition of “When I Kissed the Teacher” in the opening scene at her Oxford graduation. From that moment on, she’s on fire! She joins along with a talented young cast; particularly Irvine, in which I’m surprised to see him deliver another good performance seven years after War Horse.

It’s a shame Brosnan doesn’t have the same beautiful voice as Irvine’s. I still can’t get over his botched rendition of “S.O.S.” from the original. Thankfully, he doesn’t sing a whole lot–with the exception of “Dancing Queen” and “Super Trouper”, but that’s with the entire cast. Other than that, the song covers in this movie will have you dancing in the aisles–from the hilarious rendition of “Waterloo”, set in a Napoleon-themed restaurant in Paris, to a seductive version of “Why Did It Have to Be Me?”, set on Bill’s sailboat.

Writer/director Ol Parker joins Richard Curtis to bring forth some really funny moments–as well as some great one-liners, too–and really emotional ones. Robert Yeoman (a frequent collaborator of Wes Anderson) brings forth gorgeous cinematography–I particularly love the editing trick where the camera pans away from one character and cuts to another (i.e. the “One of Us” sequence).

While I smiled through the whole movie, it did have its fair share of narrative flaws. For instance, do we really have to know Bill has a twin brother? There are times in which the film feels forced and rushes a bit. Nevertheless, Mamma Mia! Here We Go Again is a rare sequel that slightly outshines the original. The spirit of Streep still remains intact. Be on the lookout for cameos by ABBA members Benny Andersson and Björn Ulvaeus.

Also, thank God for Cher and her version of “Fernando”!

3/4

Movie Review: The Foreigner

foreigner-playlist

Quan (Jackie Chan) goes on the road for vengeance in The Foreigner. (Source: The Playlist)

How can anyone not love Jackie Chan? The 63-year-old Chinese actor has starred in numerous action comedies and thrillers since the 1970s. Not only can he be really funny, he also can kick a lot of ass. Fresh from receiving a long overdue honorary Oscar this year, Jackie teams up with director Martin Campbell (who directed two of the best James Bond films–Casino Royale and GoldenEye) in a serious action thriller. The Foreigner is as raw as it is intense.

Based on the novel, The Chinaman, Quan (Chan) is a Chinese immigrant living in London as a restaurant owner. One day, he picks up his teenage daughter Fan (Katie Leung) from school so she can pick up a dress. The unthinkable happens when she dies in a terrorist bombing. Serving as a special forces operator in Vietnam, Quan brings back his skills and embarks on a search to find the terrorists. This leads to his encounter with IRA deputy minister Liam Hennessy (Pierce Brosnan), who might hold the clues about who is responsible for the bombing.

The movie might be to Taken, but Campbell takes it to his full advantage. After the disappointing Green Lantern, he returns to familiar territory of British politics. Along with screenwriter David Macroni, he creates a realistic glimpse of the conflict between England and Northern Ireland (which has been going on for centuries).

Chan stars in probably the most complete performance to date. He plays a broken, emotional man, who looks for vengeance after losing the last person he ever loved in his entire life. It’s amazing how Jackie can still perform his own stunts. His choreography in The Foreigner is more military-based than in his other movies. There is enough action to carry through. He and Brosnan play off together extremely well.

While it may have problems with the narrative (especially scenes that feel redundant), its fierce energy and interesting political background make The Foreigner good ol’ Saturday matinee entertainment.

3/4