“War for the Planet of the Apes”: The Ending to Something Extraordinary

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Caesar (Andy Serkis) returns, and he is not happy, in War for the Planet of the Apes. (Source: Screen Rant)

“War has already begun. Ape started war. And human will not forgive,” says Caesar at the end of Dawn of the Planet of the Apes. This is a send-up to the next film in the beloved franchise.

It has been almost 50 years since Planet of the Apes revolutionized the science-fiction genre with its groundbreaking sets and costume design, thoughtful ideas on faith and evolution, and its shocking twist ending. The franchise has come a long way with the reboots. In Rise, a scientist created a possible Alzheimer’s cure tested on apes including Caesar. While Caesar and his apes are given enhanced intelligence which leads to a battle on the Golden Gate Bridge, the humans are given a virus. In Dawn, the so-called Simian Flu wipes most of humanity. The remaining survivors go into an all-out conflict with Caesar and his fellow apes, while Koba betrays him and begins his trek to kill every human soul. War for the Planet of the Apes (2017) returns director Matt Reeves and screenwriter Mark Bomback to focus more on the apes, and give a much darker, grittier, and devastatingly powerful conclusion to one of the best trilogies ever made.

A military group called Alpha-Omega, led by vicious Col. McCullough (Woody Harrelson), begins to emerge. In a breathtaking opening sequence, they attack the apes’ sanctuary in the heart of Muir Woods. Caesar (Andy Serkis), who wanted to offer peace between his fellow apes and the humans for so long, is driven mad after seeing many lives lost. He has plans of relocating his homeland in the middle of the desert, so no humans can be in sight of the apes. Before he could do that, however, he must begin his quest for revenge. Along with Luca (Michael Adamthwaite), Maurice (Karin Konoval), and Rocket (Terry Notary), they encounter a mute girl named Nova (Amiah Miller) and a chimpanzee named Bad Ape (Steve Zahn), who directs them to the facility on the border, operated by McCullough. Once they arrive there, Caesar sees his apes captured and used for slave labor to build a wall to protect his army (I won’t make any Trump jokes, I promise). This immediately becomes the battle of wits.

It’s no surprise that the original Planet of the Apes gained controversy for its allegory of American slavery and the racial tensions of the Civil Rights Movement. To be fair, we still live in a world where racial tensions are the norm. A different race will be discriminated anywhere at any time.  In the case of the Planet of the Apes movies, the irony is that the humans are the least dominant species. War, the ninth film in the franchise, is relevant to the Trmup era (again, no jokes). Reeves directs this social sci-fi movie to his full advantage with the themes of supremacy and prejudice. It asks the question: What does the future hold if the apes are the most dominant species, in terms of evolution?

In a recent interview with Stephen Colbert,[1] Andy Serkis explained that he had no idea he would return to motion capture after doing The Lord of the Rings: The Return of the King. “This is the end of type casting as we know it,” he said. “Anyone can play anything.”

I can’t agree with him more. Motion capture is certainly the future of film acting. And hopefully for the better. Serkis has fully embraced the instinct of Caesar. Take note on how grayer and wiser he’s getting in each of these movies. In War, we finally get to see the darker side of this brilliant character. We see him evolve from a pet to a leader through compassion. Now—he is getting revenge on losing something so dear to him. With numerous references to the Bible and films of the past, he can be looked at as a Clint Eastwood-type protagonist (one of the film’s biggest inspirations is The Outlaw Josey Wales). He also resembles the biblical Moses.

When we finally get our first glimpse of Col. McCullough, we see a spine-tingling image of him wearing black war paint on his face (one of the references to Apocalypse Now). Later on, we learn more about his motivation and his ties with the Simian virus. With Caesar in his office, he explains how he made the ultimate sacrifice to kill those infected with the virus, which makes humans have the inability to talk. . “The irony is we created you,” says the Colonel. “And nature has been punishing us ever since…no matter what you say, eventually you’d replace us. That’s the law of nature.” From watching the original movies, this makes perfect sense about the humans living on this particular Earth now!

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Comparing behind-the-scenes to the final product. (Source: IMDb)

Zahn, a newcomer to the franchise, provides the film’s comic relief. His Bad Ape is one of the franchise’s most fascinating supporting characters. Originally from the Sierra Zoo, he becomes exposed to the virus and has been hiding out in the snowy mountaintop for years. He becomes their guide leading them to the facility on the border. This results in a funny scene where they make their way through a tunnel.

The beginning and the end of War features two big action set pieces that are as nerve-wracking as they are breathtaking. With the gritty nature going on, what carries the movie through is the simple moments of poignancy. Miller’s Nova represents the innocence during the dark times. Her moments with Maurice are so sweet I want to choke up as much as the rest of the movie. Her moment of grace, however, is during one powerful scene where she sneaks into the facility. She sees Caesar tired and hungry from working on the wall. What does she do? She gives him food and water before escaping from the army. We see one of the apes holding two fists together side-by-side; indicating that “apes together are strong.” The other apes later repeat the act. Accompanied by Michael Giacchino’s outstanding score, it’s impossible not to get teary-eyed.

(As much as I loved Patrick Doyle’s score in Rise, his doesn’t quite capture the gritty nature and simple poignancy of Giacchino’s score in this movie and in Dawn.)

War for the Planet of the Apes may be the end of the trilogy, but the franchise is most certainly not over, according to Matt Reeves. “The idea would never be to remake the ’68 film,” said Reeves in a 2014 interview with JoBlo.[2] “But it would be sort of a re-telling of those events from a new perspective. And the events themselves would probably be a bit different since they will have grown out of these films.” I’m definitely looking forward to seeing exactly where the franchise will go.

[1] https://www.youtube.com/watch?v=64mWOoj68qo

[2] http://www.joblo.com/movie-news/exclusive-matt-reeves-talks-dawn-of-the-planet-of-the-apes-169

“Dawn of the Planet of the Apes”: Let’s Bring the Franchise to a Whole New Level!

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Hail, Caesar! (Source: Forbes)

In Rise of the Planet of the Apes, Rupert Wyatt brilliantly brings the popular franchise back to life. A San Francisco scientist created a drug that would cure Alzheimer’s disease. After deeming it a success to chimps, his co-workers decide to make a powerful version of the drug. This causes a worldwide epidemic after the apes had a rebellion on the Golden Gate Bridge to escape to Muir Woods National Monument. This leads up to the next film.

Dawn of the Planet of the Apes (2014) introduces somebody else to the director’s chair, and known for making some of the most ambitious films of this century. Enter Matt Reeves, the director of the sci-fi found-footage film Cloverfield and the vampire drama Let Me In (remake of 2008’s Let the Right One In). I’m glad he stepped in to direct more Planet of the Apes films. What he does with Dawn is as ambitious as it is pretty damn captivating.

Ten years after a simian flu outbreak, Caesar (Andy Serkis) and his apes have called the Muir Woods their home. They create their own laws (“Ape Not Kill Ape” being one of the key laws) and teach the young. The movie opens up with them hunting for elk (accompanied by Michael Giacchino’s haunting score, the choir feels reminiscent to Ligetti’s “Atmospheres”, used in the star gate sequence in 2001: A Space Odyssey). Seeing his son Blue Eyes (Nick Thurston) almost killed, Caesar tells him to “Think before you act.”

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The apes prepare for a battle in Dawn of the Planet of the Apes. (Source: Red Brick)

Meanwhile, a group of survivors, including Dreyfus (Gary Oldman), Malcolm (Jason Clarke), his wife Ellie (Keri Russell), and son Alex (Kodi-Smit McPhee), are living in a now-devastated San Francisco. They need to get the power running through the city; however, the dam that connects the power throughout the city is on the other side of ape territory. While Caesar wants to keep peace between apes and humans, Koba (Toby Kebbell) has a strong hatred for humans. He goes out of his way to kill every last of them for revenge.

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Koba (Toby Kebbell) kills in Dawn of the Planet of the Apes. (Source: Cinema Blend)

Dawn has plenty of connections to Battle. To be fair, this throws every single Planet of the Apes sequel out of the water. Reeves uses the connections from the original films to his full advantage. The movie has a marvelous theme involving supremacy with allegorical connections to Cain and Abel and the Palestinian-Israeli conflict. Caesar and Koba are two distinct yet different characters. Caesar’s leadership is through compassion. He might miss having a human companion, but he has to focus on protecting the apes in their sanctuary even his wife Cornelia (Judy Greer) sick after giving birth. A lot of apes join his side, including orangutan Maurice (Karin Konoval). In contrast, Koba is sick of the abuse being brought upon by the humans. In one scene involving dark humor, he encounters two people—Terry (Lombardo Boyar) and McVeigh (Kevin Renkin)—who sit back and having a drink after target practice. Koba entertains them until he picks up a gun and starts shooting them. The reason why Koba is one of the franchise’s most memorable villains is because he is so unpredictable at what might happen to him. It amazes me how smarter the apes are with each movie.

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Behind-the-scenes of Dawn of the Planet of the Apes with Jason Clarke and others. (Source: Wall Street Journal)

Motion capture has certainly come a long way after The Lord of the Rings trilogy. Weta Digital is back to make the CGI apes as seamless as ever. I’m surprised Andy Serkis has not received a special Academy Award for bringing these characters to life. His performance as Caesar is one of the most powerful I have seen in many years. Furthermore, he’s one of the only characters performed through motion-capture that moved me to tears. His affection for humans is just the same for his affection for his ape friends. While Malcolm (wonderfully played by Clarke, fresh from starring as one of the NAVY seals assigned to kill Osama bin Laden in Zero Dark Thirty) may not be like Will, but he has a similar motivation as Caesar in every way. He has suffered so much during the ten years, and wants to have peace in the world as opposed to violence. After losing his youngest daughter to the outbreak, the only people he has to care about is Ellie and Alex. Once Malcolm finds shelter at Caesar’s childhood home, he and his family must help him get back to health. In one powerful scene, Caesar goes through the attic and sees a video camera. He watches a video of him as an infant learning sign language from Will. Malcolm asks who that was in the video. Caesar says, “A good man…like you.”

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Dreyfus (Gary Oldman) looking badass holding that machine gun in Dawn of the Planet of the Apes. (Source: Internet Movie Firearms Database)

Dawn is perhaps the most complex film in the series, filled with compelling characters. Gary Oldman’s Dreyfus, for instance, is particularly complicated. It’s obvious that he has a law enforcement background. He lost everything, from his family to his job as a police officer. He’s not happy with Caesar and the apes living on this planet. He’s struggling just as much as everyone else. From the villain in The Fifth Element, Sirius Black, Commissioner Gordon, and now he’s going to play Winston Churchill in the upcoming Darkest Hour, it proves how great of an actor Oldman is.

This movie is most certainly not without its action. Nothing looks more awesome than seeing a group of apes riding on horseback (the shot of the tank is also just as gorgeous as the miraculous sets of post-apocalyptic San Francisco and the apes’ sanctuary). When they finally go at it against the humans, it makes the audience root for both sides. Meanwhile, Caesar has reached his breaking point with Koba, they fight in one of the most thrilling fights set on top of a tower.

It is impossible to top such a classic like the 1968 version of Planet of the Apes, but Matt Reeves has made a wonderful piece of science-fiction with Dawn of the Planet of the Apes. It has just enough thrills, emotion, dark comedy, and visual wonder to make it my personal favorite film in the series. Bring on, War for the Planet of the Apes!

Movie Review: Doctor Strange

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Dr. Stephen Strange (Benedict Cumberbatch) walks out in style in Doctor Strange, Marvel’s latest entry in its ongoing film franchise. (Source: IMDb)

No other actor looked so cool putting on a cape than Benedict Cumberbatch.

Captain America: Civil War started this past summer with a bang. Not only was it a wonderful conclusion to the greatest film trilogy in the Marvel Cinematic Universe, but also leaves the door open for one of the longest running film franchises; going on since 2008 with Iron Man. The audience introduces more characters leading up to—what might be—the biggest battle in film history (The Avengers: Infinity War). Doctor Strange, the latest MCU film, is a little more than your basic origin story.

Stephen Strange (Benedict Cumberbatch) is one of New York City’s most brilliant neurosurgeons. One night, he gets into a car accident, causing him to lose his job due to serious damage to his hands. Strange goes on a journey to find a cure in Nepal. At Kamar-Taj, he meets the Ancient One (Tilda Swinton) shows him the astral plane and alternate dimensions. He reluctantly trains of becoming a sorcerer. When he learns that the enclave is at war with a team of evil sorcerers, led by Kaecilius (Mads Mikkelson), Strange and his mentor Mordo (Chiwetel Ejiofor) try to defeat the evil mastermind once and for all.

Scott Derrickson creates an origin story mildly different than the previous entries. Strange is a—literally and figuratively—broken protagonist who is willing to change. His spirituality is put to the test when he learns about controlling time. There is plenty of humor thrown in the mix. Notably, when he pokes fun at Master Wong (Benedict Wong) and his [one-word] name and using his wits to outsmart Kaecilius and his minions once they finally meet. There is an Inception-vibe through the stunning action sequences and visual effects, which is provided by Michael Giacchino’s magnificent score (powerful chorus, too).

Despite being somewhat formulaic and Mikkelson’s Kaecilius not quite topping Loki and Zemo as the best villain (a little bit more depth would have certainly done the trick), Doctor Strange provides enough wit and wonder to outweigh its flaws.

3.5/4