Top 100 Worst Movies of the 2010s: 70-61


(Source: Slate)

70. The Book of Henry (2017) – Colin Treverrow returns to his indie roots after directing the big-budget extravaganza Jurassic World to make this film that sounds like a Lifetime Movie of the Year. The talented cast featuring Jaeden Lieberher, Jacob Tremblay, Naomi Watts, and Dean Norris can’t even save this tonal catastrophe about a genius boy’s plan to kill his neighbor for raping his stepdaughter (that’s not a spoiler, by the way). Every character makes dumb decisions and the climax left me at a loss for words, and I don’t mean it in a good way.


(Source: Variety)

69. The Space Between Us (2017) – I have never seen a sci-fi/romance so bland, dreadful, and silly as The Space Between Us. Asa Butterfield (Hugo, Ender’s Game) plays a teenager born on Mars who falls in love with a girl (Britt Robertson, Tomorrowland) who lives on Earth. Together, he seems to enjoy this rite of passage while scientists cannot withstand it for a second. The romance is so soapy I used it to wash my hands. Gary Oldman has never been so wasted in an antagonistic role.


(Source: ABC News)

68. Pixels (2015) – I was actually looking forward to seeing this. Adam Sandler and friends fighting off aliens in the form of retro video game characters. Sounds fun, right? Wrong!

Despite some decent action (particularly the Pac-Man sequence and the finale) and the best remix of Queen’s “We Will Rock You”, director Chris Columbus and writer Tim Herlihy suck the joy out of it with its awful attempts at laughs, terrible chemistry between the cast (especially Sandler and Michelle Monghan), and effects that would look alright if Pixels came out in the 1990s. And also, the subplot with Josh Gad’s crush on a hot video game character becomes creepy as hell. I have a theory about Sean Bean (who makes a short appearance): If he doesn’t die, the movie becomes terrible.


(Source: The Hollywood Reporter)

67. After Earth (2013) – Remember when M. Night Shyamalan was hailed as “The Next Steven Spielberg” by Newsweek after the success of Signs? Remember when his commercial hit The Sixth Sense got nominated for Best Picture and Best Director? I was only a child when all of those occurred. 

Now heading into my 20s, this wonderful filmmaker has made some stinkers including The Happening and this mundane, monotonous sci-fi adventure, starring Will Smith and Jaden Smith. After Earth is a movie with so much potential; with Shyamalan taking half-credit for writing the screenplay from Will Smith’s story. Unfortunately, this film is underdeveloped in its science-fiction elements, so preachy in its philosophies, and so dull in its performances. Some of the dialogue (including the argument between the son and his injured father after their spacecraft crashed in a futuristic ecosystem) is nothing short of laughable. Definitely not a father-son duo to root for.


(Source: TIME)

66. Anna Karenina (2012) – I don’t know what the hell Joe Wright was thinking of adapting the Russian novel to the silver screen. I understand why a lot of people love it, but it just didn’t do it for me. This is an overblown, convoluted melodrama that looks marvelous. Keira Knightley leads a massive British cast that don’t bring any depth into their performances. It feels like Aaron Taylor-Johnson is in a satire with his over-the-top portrayal as Anna’s lover. Also, what’s the point with the theatre stage?


(Source: Los Angeles Times)

65. 7 Days in Entebbe (2018) – This decade brought forth some great thrillers based on real events including Bridge of Spies, Captain Phillips, and The Revenant. 7 Days in Entebbe, a film about the 1976 hijacking of four terrorists who put the crew and passengers hostage in a Ugandan warehouse. Daniel Bruhl and Rosamund Pike don’t bring anything to their performances in a film so lifeless, boring, and unintentionally funny. Also, the spiritual dancing sequences that open and close the movie could have worked better in another movie than this.


(Source: Forbes)

64. Jane Got a Gun (2016) – Years of being in production hell, Gavin O’Connor’s lifeless Western still feels rushed and incomplete. Bullets fly, but there’s hardly any blood. The cast including Natalie Portman, Joel Edgerton, and Ewan McGregor look like they didn’t want to be involved with the project at all. No wonder why it became one of the biggest box-office flops of all-time.


(Source: TIME)

63. Child 44 (2015)Tom Hardy is one of Hollywood’s tough guys. It’s hard not to love him in movies such as Bronson, Warrior, The Dark Knight Rises, and Mad Max: Fury Road. He has been in a few stinkers including this thankfully forgotten historical thriller about a police detective going after a serial killer preying on young boys. Also starring Gary Oldman and Noomi Rapace, the actors perform in Russian accents that are hard to take seriously. The tone shifts from historical thriller to straight-up mystery; failing on both levels. Those two-and-a-half hours feel like two-and-a-half weeks.


(Source: IMDb)

62. Colombiana (2011) – “Never forget where you came from,” says the heroine’s uncle before his demise.

I wish I could forget seeing this action-revenge tale in theaters. 2011 already brought a terrific action-thriller called Hanna. Then, in late August, a fiasco co-written and produced by Luc Besson. Zoe Saldana is an undeniably attractive actress, but doesn’t give enough to save this unintentionally silly romp that feels anticlimactic. Thank goodness Saldana went onto star in Guardians of the Galaxy.


(Source: The New York Times)

61. The Hangover: Part III (2013) – When one of the early scenes involves a giraffe getting its head decapitated on a highway, it’s not a good sign for the movie. There are a few good scenes; I particularly liked the thrilling scene in Caesar’s Palace. Other than that, there is not a single gag I find funny nor is there a single character to root for.


100-9190-81 | 80-71 | 70-6160-51 | 50-41 | 40-31 | 30-21 | 20-11 | 10-1

Top 10 Worst Movies of 2016

Another year is almost upon us. It’s time to look back on the good and the bad.

2016 has been one crazy year. We missed a lot of people including David Bowie, Alan Rickman, Gene Wilder, Carrie Fisher, Debbie Reynolds, Prince, George Michael, and so on. They are leaving a hell of a legacy behind them. On the other hand, 2016 has been another wonderful year for film. Plenty of movies that surprised me and exceeded my expectations. However, I cannot remember the last time so many movies flopped—both critically and financially. It’s disappointing to see good movies such as The BFG and Kubo and the Two Strings not earning the money it deserved. I’m actually glad some movies I missed out on flopped.

Like I usually do, let’s start off with the worst movies of the year. There were plenty of films I’ve seen in 2016 I would definitely like to forget. This year has seen some great actors wasting their talents, more rip-offs to better young-adult adaptations, some of the worst comedies imaginable, and a CGI-fueled clash between two of the greatest superheroes. Without further ado, here’s my list of the top ten worst movies of 2016.

Dishonorable Mentions: Free State of Jones, Hardcore Henry, A Hologram for the King, I Saw the Light, Independence Day: Resurgence, Regression, Sausage Party, Suicide Squad


(Source: The Verge)

10. Batman vs. Superman: Dawn of Justice – I knew this film was not going to be any good after Ben Affleck was announced to play Batman. That was three years ago after the release of Man of Steel (which I mildly enjoyed)! Finally seeing it in theaters, Ben Affleck and Gal Gadot are the only decent things about this cluttered, derivative mess. Zack Snyder cannot even direct a compelling narrative that had a lot of potential for making up the problems Man of Steel had. If the best part in the movie is the opening, that’s not a good sign. The tone is so dead serious that it almost bored me to tears. Not to mention the climactic fight between these two superheroes being overhyped—it’s just them crashing into walls. Batman vs. Superman is a disgrace to two of the best superheroes of all-time. How can they ruin such a great supervillain like Lex Luthor? Jesse Eisenberg is impossible to take seriously.


(Source: The Los Angeles Times)

9. Warcraft – For someone who has never played any of the World of Warcraft video games, I had a feeling this might be a new fantasy classic and would end the streak of bad video game adaptations. Duncan Jones, who directed Source Code, one of the greatest science-fiction films in recent memory, showed some footage to his father David Bowie before his death in January. It is, without a doubt, a nice thing to do; being curious on what someone’s son has been working on. From seeing the final product, all I could say is this: What the hell happened?

This fantasy epic—more like, an epic failure—has visuals that look pretty cool (I mean, look at the Orcs!), but the green screen effects are atrociously obvious. I wish the mythology would have been explored more. Some of the humor is forced, the battles are a bore, and features a huge waste of talent from such a solid cast. I’m glad Ben Foster went somewhere after this dud. Warcraft is a movie for gamers, by gamers.


(Source: IndieWire)

8. Jane Got a Gun – The popularity of the Western genre has decreased since Clint Eastwood’s Award-winning film Unforgiven. There are plenty of Westerns that came out after 2000 that were actually great; 3:10 to Yuma and the 2010 remake of True Grit are some examples. Of course, there were plenty of misfires over the years. Jane Got a Gun is no exception. Being in production for many years, the movie ended up being released in 1,200 theaters nationwide. Resulting in becoming one of the biggest box-office bombs of the year. Director Gavin O’Connor (Warrior, The Accountant) and three writers including star Joel Edgerton had created a character study and revenge tale that is neither interesting nor exciting. Natalie Portman plays Jane Hammond, a frontierswoman, who seeks revenge on a gang, led by Ewan McGregor’s John Bishop, after attacking her husband—sound familiar? The overuse of flashbacks doesn’t make up to really sympathize with any of the characters. Portman, Edgerton and McGregor seem lost here. The final showdown is a bit of an anticlimax. By the end, Jane Got a Gun proves where the Western genre is going.


(Source: IMDb)

7. The Huntsman: Winter’s War – I was excited to see this when I heard Frank Darabont was going to direct the sequel to Snow White and the Huntsman. He directed two of the best Stephen King adaptations of all-time—The Shawshank Redemption and The Green Mile. Not to mention the bland Kristen Stewart not returning to reprise her role as Snow White. Even though I found its predecessor to be average, The Huntsman: Winter’s War disappointed me on a gargantuan level.

This movie has no idea what it wants to be. A prequel? A sequel? Or a Frozen rip-off? The cast is trying really hard here; Chris Hemsworth and Jessica Chastain are two of the most charming actors working today. But, they have no chemistry whatsoever, and their Scottish accents are horrible. Charlize Theron had little to nothing to do here as the Queen Ravenna. And Emily Blunt is at her absolute worse as Freya the Snow Queen. Her mumbling and sudden outbursts reminded me so much of Eddie Redmayne’s “villainous” performance in last year’s Jupiter Ascending. If anyone is suffering from insomnia, listening to the dialogue from The Huntsman: Winter’s War would certainly help you get a good night’s sleep.


(Source: IMDb)

6. Neighbors 2: Sorority Rising – Seth Rogen is one of the most overrated comedians in recent memory. Ever since Superbad (which I didn’t mind him in), he plays the same character over and over again. The R-rated animated comedy Sausage Party made me lost my appetite, but Neighbors 2: Sorority Rising was much worse.

Even though I somewhat enjoyed Neighbors, it went a little too far with its humor. Especially having way too many dick jokes. When they got it right, they got it right! Was a Neighbors 2 really necessary? If I saw this in theaters, I would have walked within ten minutes. Watching this in the comfort of my own home resulted in a painful film-watching experience. It’s raunchier and a lot nastier than its predecessor. One of the early scenes involving Mac and Kelly’s (Rogen and Rose Byrne reprising their roles) daughter—now a toddler—holding a dildo sums up the film’s humor. I did chuckle a few times throughout the 90-minute duration, but I didn’t laugh out loud. The dramatic moments felt forced and the craziness of the sorority felt tiresome. How come Seth Rogen and Zac Efron became good friends at the end of the first film even though they were big enemies is beyond me. Chloe Grace Moretz is a talented young actress, but she needs to take a break from raunchy comedies and young-adult adaptations, which leads to a perfect segue to my pick for number five.


5. The 5th Wave – Another misfire starring Chloe Grace Moretz. Instead of fighting against neighbors, she’s fighting to save the world. The 5th Wave had promise early on when they talked about the different disasters Earth had faced leading up to the potential “Fifth Wave”, where kids are separated into military-based groups to save the world from aliens. Then, it quickly goes to generic and predictable territory. With the popularity of The Hunger Games, everyone apparently decided to make these rip-offs to attract teenagers. Moretz is trying her hardest to save it from being an absolute disaster. I don’t know what the hell Live Schreiber was thinking when he signed to do this film. The lack of originality, bland performances from everybody, and the mundanity of its narrative and direction wasn’t enough to hold my attention.


(Source: Collider)

4. Yoga Hosers – If you any of you seen him in interviews, Kevin Smith is one of the most awesome people working today. Not only does he create some funny and honest films such as Clerks and Chasing Amy, he also knows a lot about comic books. After a very limited theatrical release, his second entry in his True North trilogy—the first being Tusk, which I avoided like the plague—has earned its cult status on Netflix. I have never seen anything this absurd and irritating in my life! Lily-Rose Depp and Harley Quinn Smith play two teenagers who spend most of their time on their smartphones and playing in a band while working at a Winnipeg convenience store. One night, they fight off Nazis in the form of bratwursts. It’s definitely as bad as it sounds.

These two actresses do have long careers ahead of them, but they play two of the most annoying characters I’ve seen all year. Not only are the Canadian stereotypes are appalling, it also features godawful one-liners and even worse jokes that it made my jaw drop. And Johnny Depp is just doing his usual Depp-isms, but in a French-Canadian accent. I cannot listen to “Babe” by Styx the same way ever again.


(Source: Flavorwire)

3. Mother’s Day – The world said goodbye to Garry Marshall this past summer when he passed away from pneumonia. He is one of the most down-to-earth people in the world, but it doesn’t change the fact that his movies aren’t entirely good. Mother’s Day, his last directed film, follows the same structure as his previous two duds—Valentine’s Day and New Year’s Day (which I’m not going to bother with). Where we see several different storylines of different people on how they go on with their lives during a certain holiday. This movie feels more like a two-hour long sitcom episode than an actual film. It has every single stereotype in the book—from gay people to people of different races (case in point, Indian people). The jokes are horrendous and the story arcs just come off as syrupy. Not to mention one embarrassing scene where the mother (Margo Martindale) of two sisters (Kate Hudson and Sarah Chalke) doesn’t get a warm welcome due to seeing one of her daughters coming out of the closet. With an all-star cast including Jennifer Aniston, Jason Sudeikis, Julia Roberts, and Garry Marshall-regular Hector Elizondo (one of the saving graces of Valentine’s Day), I could see the outcome of each arc coming from a mile away. Julia Robert’s wig plays out as a much better character.


(Source: IMDb)

2. Dirty Grandpa – How can a great actor like Robert De Niro waste his talent in such a dreadful piece of work? It’s easy! Have him do a scene where his grandson (welcome back to the list, Zac Efron!) catches him masturbating through porn. That’s not the worst of it. I have never been so close to walking out of a theater when I saw Dirty Grandpa back in January. Every scene gets worse and worse. From De Niro making jokes about his grandson’s fiancée’s pink VW beetle to having a nude Efron waking up on a beach from a hangover wearing nothing but a bumblebee fanny pack with beer bottles surrounding him to De Niro cursing more than he does in every single Scorsese movie he has been in combined. No one tries to be funny, and every single character annoyed me to the point where I could not take it anymore. Once Dirty Grandpa was finally over, I literally walked out of the theater in shock. I went home to watch Alfred Hitchcock’s Psycho to get the bad taste out of my mouth. But—at least it’s not the worst movie I’ve seen this year.


(Source: AskMen)

1. Nine Lives – A lot of people, like myself, thought this movie was a damn joke after watching the preview. Sadly, it’s a real movie about Kevin Spacey playing a successful NYC businessman who wants to buy his daughter a cat for her birthday. An accident leads him to the hospital, and his body is put inside the cat by a cat-store owner/cat whisperer (Christopher Walken, who looked like he walked on the set to star in the sequel to Click). What makes this Shaggy Dog rip-off (The Shaggy Cat?) so awful is that Barry Sonnenfeld directed it. He went from directing Men in Black, one of the funniest sci-fi films of the 20th century, to directing this puddle of cat piss. Not only was the film not funny at all, even Kevin Spacey looked like he didn’t want to be a part of this movie. Even his “one-liners” sum up his feeling about this movie (“Just drown me,” he says when he is given a bath as a cat). I love cats, and I do admit the cat is gorgeous, but I have seen other cats portraying so much better performances than in Nine Lives (Keanu anyone?). Hell, I’ve seen better CGI in Ghost Rider: Spirit of Vengeance than in this film. One of the subplots involves Spacey wanting to create the tallest building in the country, which will bore kids to tears with its talk about business. It’s just amazing how bad Nine Lives is!

I hope you enjoyed what my picks are for the worst films of 2016 as much as I did tearing them apart. Feel free to leave any comments about what are some bad movies you had to endure this year. Stay tuned for my list of the best movies of 2016.