Top 15 Best Movies of 2017

Finally! Onto the good stuff!

As I mentioned before, I decided to hold off on my list of the best movies of the year for a bit to catch up on some movies that I have yet to see. I can’t recall a more memorable year for film than 2017! From the breathtaking to the original to the haunting to the downright powerful, these are only several words on how I can describe these fifteen great movies on my list. Let’s get started!

Honorable Mentions: Coco, Darkest Hour, The Florida Project, Get Out, A Ghost Story, Guardians of the Galaxy: Vol. 2, I Am Heath Ledger, John Wick: Chapter Two, Logan, Logan Lucky, The Lost City of Z, Maudie, The Meyerowitz Stories (New and Selected), Only the Brave, The Post, Spider-Man: Homecoming, Star Wars: The Last Jedi, Stronger, Wind River, Wonder Woman


(Source: Vulture)

15. It – Starting off the list is the long-waited second adaptation of Stephen King’s 1,000+ page epic. Andy Muschietti’s first of two movies follows seven kids teaming up to take down Pennywise the Clown (a wicked terrifying Bill Skarsgard). This movie brought together some of the most talented child actors working today, including St. Vincent’s Jaeden Lieberher and Stranger Things’ Finn Wolfhard (laugh-out-loud hilarious as the trashmouth Richie). While a lot of people may not think this version of It is not entirely scary, I found it to be a little more than just scary. This is a funny, intense, graphic, and downright devastating coming-of-age story about the loss of innocence. I have a bad feeling the sequel is going to suck, but I’m glad I went to see this one!


(Source: Billboard)

14. Baby DriverFresh from finishing his Cornetto trilogy with 2013’s The World’s End, Edgar Wright’s next feature is more personal. Not only did he direct Baby Driver, he–and only he–also wrote the screenplay. This throws every Fast and Furious movie out of the water! With Ansel Elgort leading a talented cast, this is fast-paced, slick, and darkly-funny action film featuring some of the best action and the best soundtrack of the year. It also contains perhaps the coolest warehouse shootout I’ve ever seen!


(Source: Esquire)

13. Thor: Ragnarok After the disappointment of Thor: The Dark World, the MCU has improved quite a bit. I wish Taika Waititi (Hunt for the Wilderpeople) would direct every film in the MCU. His direction and sense of humor has put into great use here. It’s a great opportunity for him to film in his New Zealand homeland, like Peter Jackson did with his Lord of the Rings franchise. While it may have emotional moments here and there, Thor: Ragnarok is a blast from start to finish. No one can play Thor better than Chris Hemsworth. Thumbs up for its amazing use of Led Zeppelin’s “Immigrant Song”!



12. DetroitIt’s a shame this movie didn’t get the attention it deserved. Kathryn Bigelow’s portrayal of the 1967 Detroit riots is as heavy-handed as it is powerful. It focuses on the incident at the Algiers Motel where three black men were killed and nine others injured. With Mark Boal’s brilliant screenplay, fantastic performances by Anthony Mackie, a suave John Boyega, and a sinister Will Poulter, and effective use of the handheld camerawork, Detroit keeps you on the edge of your seat.


(Source: The Playlist)

11. The Big SickIf you’re sick and tired of those cliched rom-coms (like myself), The Big Sick will help you forget about them. This movie is based on a true story about Pakistani-American comedian Kumail Nanjiani living in Chicago, who falls for a woman who goes into a coma. It’s funny as it is heart-wrenching. The 9/11 scene is nothing short of marvelous writing! Nanjiani and Zoe Kazan make a cute couple. Ray Romano and Holly Hunter are also great as the girl’s parents. I would be bummed if Nanjiani doesn’t earn an Oscar nomination as a fictional version of himself who wants to marry for love, not because of his culture. Easily one of the best comedies I’ve ever seen.


(Source: IndieWire)

10. Mudbound – After a few mishaps, this is the first Netflix original movie I actually loved! The movie follows two families–one black, one white–as they face tensions in the South during World War II. This is a gritty yet moving picture with Carey Mulligan leading an excellent ensemble and tackles the topics of racism and PTSD. Definitely a Netflix movie I’ll watch for the rest of my life.


(Source: The Atlantic)

9. Three Billboards Outside Ebbing, Missouri Who knew a British filmmaker like Martin McDonagh would direct a future all-American classic? Three Billboards Outside Ebbing, Missouri has the perfect blend of dark comedy and devastating drama. I hope Frances McDormand wins the Oscar for her performance as a mother fighting for justice and vengeance. Woody Harrelson and the underrated Sam Rockwell give some of the best performance of their careers as the two authorities who get in her way. Great stuff!


(Source: Vice)

8. KediThis is the best (and only) documentary I’ve seen from last year. It follows the lives of seven out of thousands of stray cats roaming the streets of Istanbul, Turkey’s capital city. I love how positive the residents are about these wonderful creatures. Ranging from a bakery worker using his tips for vet visits to a middle-aged man explaining how cats helped him recover from a nervous breakdown. Istanbul native Ceyda Torun creates a gorgeous ode to her “cat metropolis” and reminding how they are one-of-a-kind animals. In the beginning of the movie, one of the residents says, “Without cats, Istanbul would lose part of its soul.” Cat lovers and animals will certainly love this documentary!


(Source: IndieWire)

7. Blade Runner 204935 years after the original Blade Runner, Ridley Scott returns to his sci-fi world as a producer. Denis Villeneuve takes his place as director to expand the gritty future. Ryan Gosling is no stranger for playing dark, violent characters with subtle emotions. Along with a massive cast, he does a wonderful job as Officer K, the new cop in the LAPD assigning to take down old replicants. Combining Roger Deakins’ impressive cinematography and thought-provoking ideas, Blade Runner 2049 is slightly better than the original. I’m glad Harrison Ford returned as Officer Deckard.


(Source: IMDb)

6. Phantom ThreadLegendary actor Daniel Day-Lewis teams up with Paul Thomas Anderson for the first time since There Will Be Blood. Phantom Thread is perhaps Day-Lewis’ last film before his retirement. I hope he decides to return to acting one day. From My Left Foot to Last of the Mohicans to Lincoln, he has had an impressive filmography. In this movie, he delivers one of the best performances of his career as Reynolds Woodcock, London’s most successful fashion designer during the 1950s (some of the dresses he makes takes your breath away!). One day, he falls in love with a woman named Alma (the lovely Vicky Krieps). Things get real intense. Through PTA’s marvelous direction, writing, and cinematography and Jonny Greenwood’s breathtaking score, there is so much beauty and suspense that Alfred Hitchcock would be proud of! Surprisingly enough, Phantom Thread is also pretty damn funny!


(Source: Hollywood Reporter)

5. War for the Planet of the ApesWhen Matt Reeves took over to direct Dawn of the Planet of the Apes, it exceeded everybody’s expectations. While Rise was a great set-up, Dawn took the beloved sci-fi franchise to new heights! With War, he finished one of the best trilogies of all-time! Through the motion capture, Andy Serkis’ Caesar makes a kick-ass hero! Newcomers including Woody Harrelson’s Colonel (paying tribute to Marlon Brando in Apocalypse Now) and Steve Zahn’s Bad Ape provide enough humanity this gritty, action-packed, emotional conclusion. I’m hoping for more Planet of the Apes movies in the future.


(Source: Washington Post)

4. DunkirkAfter the sap-fest known as Interstellar, Christopher Nolan goes back to an important time in history. The Dunkirk evacuation (a.k.a. Operation Dynamo) of 1940; where 300,000 troops from Britain, Canada, Belgium, and France were rescued off the coast of Northern France surrounded by the Germans. Dunkirk might not be an easy movie to follow. It follows three different storylines in non-linear fashion–one on the beach; taken place over the course of one week, the other out to sea; taken place over the course of one day, the last in the air; taken over the course of one hour. Trust me, I had to see it twice in theaters in order to place the pieces of the film’s timeline together.

Nevertheless, this movie pinned me to my seat with its high tension, historical accuracy and authenticity, refreshing use of practical effects (rare in summer blockbusters nowadays), Hans Zimmer’s eerie score, and powerful performances by Mark Rylance, Cillian Murphy, Kenneth Branagh, and Harry Styles (who never breaks into song and dance). Peter Travers went as far to call Dunkirk “the greatest war movie ever made”. It sure is one hell of an experience!


(Source: The Atlantic)

3. Lady Bird – This is perhaps the best directorial debut in recent memory. Known for collaborating with director Noah Baumbach in Frances Ha and Mistress America, the delightfully quirky Greta Gerwig makes a film based on her early life in Sacramento. Saoirse Ronan gives yet another miraculous performance as Lady Bird, a senior at an all-girl Catholic high school. And we follow her throughout her school year set a year after 9/11, joining in the school plays, having two boyfriends, and attempting to get accepted at a college in New York. Most importantly,  she wants to be loved by her hard-working mother (a spectacular Laurie Metcalf). The mother-daughter dynamic is one of the reasons why this coming-of-age story as hilarious as it is poignant. Gerwig has literally hit home with Lady Bird. Finger crossed that she directs more great movies in the near future.


(Source: Vox)

2. The Shape of Water – It’s hard not to appreciate the vision of Guillermo del Toro’s films. From Hellboy, Pacific Rim, Crimson Peak to his masterpiece Pan’s Labyrinth. His new film, The Shape of Water, is a fairy tale, love story, Cold War thriller, and a tribute to cinema all wrapped into one. Sally Hawkins is a revelation as Eliza, the mute janitor who develops an attraction with Doug Jones’ Amphibian Man (a nod to the Creature from the Black Lagoon). This bizarre fantasy has enough of everything to carry through–humor, violence, beauty, and suspense. With an Oscar-worthy score by the great Alexandre Desplat and a gifted supporting cast including Octavia Spencer, Richard Jenkins, Michael Stuhlbarg, and a deliciously evil Michael Shannon, The Shape of Water is most certainly likely this will take home the big prize at this year’s Oscars. However, this is not my favorite movie from 2017.


(Source: Variety)

1. Call Me by Your Name – I have been waiting for Call Me by Your Name ever since it premiered at last year’s Sundance Film Festival. While I didn’t have the time to read André Aciman’s novel before seeing the movie, I became anxious to see what the praise was about. From its first image, I have never seen a more beautiful romance in my entire life! Through Luca Guadagnino’s spectacular direction and James Ivory’s astounding screenplay, this is less of a gay love story than a coming-of-age story. Timothée Chalamet and Armie Hammer are downright magical as Elio and Oliver, the two lovebirds who decide to spend the long summer together in northern Italy. While this movie can be compared to last year’s Oscar winner Moonlight, these movies are different in their own right.

As a 17-year-old, Elio–the main character–is living a happy life with his parents (Michael Stuhlbarg and Amira Casar) in his Italian country house. He loves his books and music. However, he’s struggling to come to terms with his identity. Everything changes when the handsome Oliver visits his family for the summer as an intern. Throughout the first hour, they begin teasing and flirting with each other until they develop a friendship unlike any other. This is a summer they will never forget. Kudos to marvelous chemistry between the two, it’s hard not to smile whenever these two are together. It’s impossible not to get teary-eyed during father’s monologue near the end of the movie. Call Me by Your Name is one of these movies I’ll watch for the rest of my life!

Guadagnino said he might direct sequels to this movie; like Richard Linklater did with Ethan Hawke and Julie Delpy in Before Sunrise, Before Sunset, and Before Midnight. I don’t see why it won’t happen. I would love to see how Elio and Oliver evolve as they get older!

It’s hard to believe this decade is almost over! Only two more years to go until I compile a list of the top 100 best and worst movies of the decade…I guess it’s about that time to get started on that.

Anyway–I hope you enjoyed reading about my picks of the best and worst movies from this past year as I did writing about them. Please feel free to leave a comment about what your favorite movies of the year are. Here’s to another great year for film in 2018!


Movie Review: Darkest Hour


Elizabeth Layton (Lily James) writes a little something on her typewriter for Winston Churchill (Gary Oldman) in Joe Wright’s Darkest Hour. (Source: Seattle Times)

Starring in about a hundred films, Gary Oldman is one of the greatest character actors working today. Ranging from Sid Vicious (Sid and Nancy), Lee Harvey Oswald (JFK),  Commissioner Gordon (The Dark Knight films), Sirius Black (Harry Potter), Dracula, Stansfield (Leon: The Professional), and Zorg (The Fifth Element), he has one impressive repertoire. Now–he takes part in delivering the most ambitious role of his entire career.

Hundreds of actors have played U.K. Prime Minister Winston Churchill; from Timothy Spall in The King’s Speech to John Lithgow–a surprising turn–in Netflix’s The Crown. After spending 200 hours in the makeup chair, Oldman is unrecognizable as Churchill in Joe Wright’s new film Darkest Hour. With a screenplay written by Anthony McCarten, it might be a romanticized portrait of Churchill’s first days as Prime Minister, but there is a lot to like here.

In May of 1940, World War II is in full steam. Nazi Germany has just invaded Czechoslovakia, Denmark, Norway, Belgium, and the Netherlands. Churchill (Oldman) steps in to replace Neville Chamberlain (Ronald Pickup, who took John Hurt’s place after his death) as Prime Minister, accepted by King George VI (Ben Mendelsohn). Right away, he must find a solution to a peace agreement with Germany. With the support of his secretary Elizabeth Layton (Lily James) and wife Clementine (Kristin Scott Thomas), he does whatever he can to save British troops on the beaches of Dunkirk.

Darkest Hour makes a great triple feature with this year’s Their Finest and Dunkirk. Through the long, unbroken shots, the dramatic close-ups, and the gorgeous, vintage sets, this is pure Joe Wright. Oldman delivers his performance with enough wit and empathy that the audience forgets they are watching an actor. We laugh when we’re supposed to (“Will you stop interrupting me while I’m interrupting you!?” he sneers at his War Cabinet.), and we root for him every step of the way when he attempts to save the world.

While James and Mendelsohn are worth mentioning of their wonderful performances, Darkest Hour is Oldman’s show through and through. How can you not have the feeling of standing up and cheering after he delivers his famous “We shall fight on the beaches” speech in Parliament? I would be shocked if he doesn’t get nominated for an Oscar. He is long overdue for one!


2017 Summer Movie Review: Dunkirk


Three British soldiers waiting to be rescued in Christoper Nolan’s Dunkirk. (Source: IMDb)

Who doesn’t love Christopher Nolan? He’s one of the most ambitious yet brilliant filmmakers working today, who has a very unique style relying on the practicality. He is widely known for rebooting the Batman franchise after the dismal Batman and Robin. He often transports the audience to another world in movies such as the mind-bending Inception and the disappointing and overrated Interstellar. His latest film, Dunkirk, is a different approach for Nolan. A film taking place in a historical setting; let alone, World War II. Is there anything he can’t do?

Dunkirk features three storylines set on land, at sea, and in the air, told in non-linear fashion (make sure you pay attention to what’s going on). During the evacuation on the beaches of France, Nazi Germany has surrounded 400,000 men from Britain, Belgium, Canada, and France. Among those who are waiting to be rescued are Tommy (Fionn Whitehead) and Alex (One Direction’s Harry Styles), both of whom are in the British Army. While on the pier, Commander Bolton (Kenneth Branagh) and Col. Winnant (James D’Arcy, Agent Carter) are making sure the soldiers are settling on the ships safely.

Meanwhile, out at sea, Mr. Dawson (Mark Rylance) is driving in his yacht with his son Peter (Tom Glynn-Carney). They rescue a wounded soldier (Cillian Murphy), whose U-boat got hit by a torpedo, while three Spitfire planes—one of them piloted by Farrier (Tom Hardy, who is in a mask again)—fly overhead to keep the Germans out.

It has been said a thousand times, but it’s a fact that every war is hell. Even every war movie depicts them as hell. This is no surprise for Dunkirk. Unlike the graphic nature of Saving Private Ryan and Hacksaw Ridge, this movie is more of a survival story than anything (hence the PG-13 rating). Nolan takes this incredible story to full advantage with minimal dialogue and tension that never lets up until the end. Hans Zimmer’s outstanding score, like the rest of the movie, resembles a ticking time bomb.

What I appreciated about Dunkirk is the authenticity and realism of its depiction. As stated above, Nolan is known for using more practical effects than CGI, which is rare for a summer blockbuster. Not only is the movie filmed at the actual location of the evacuation, it also features real WWII-era carriers, planes and guns. The action sequences—set in all three locations—are unlike anything you’ve ever seen. It makes the audience feel like they are actually there witnessing these events.

Being their acting debuts, Whitehead and Styles both bring forth such nuanced bravery into their performances as the two British soldiers risking their lives. Featuring such a tremendous cast, the audience sympathizes with the characters while it shifts between these three storylines. It’s an experience that I’ll definitely revisit time and again.

There has never been a movie that hit me harder all year than Dunkirk. This is a suspenseful, emotional roller-coaster ride. Even Peter Travers went as far as calling it “the greatest war film ever”, which is saying a lot. Dunkirk is definitely up there with some of the greats. I would be surprised if it receives little recognition at this year’s Oscars. It’s easily a front-runner for Best Picture. The question is: Will Christopher Nolan receive his first nomination as director? We’ll just have to wait and see.


2017 Summer Movie Preview: July

Two months down, two months to go.

Sometimes, I forget to talk about movies that came out this past month. Case in point, The Hero, starring Sam Elliott. This is the role that he was born to play! An aging Western icon with a stellar voice who comes to terms with his life once he is diagnosed with cancer. Starring alongside Laura Prepon (That ‘70s Show, Orange is the New Black) and Nick Offerman, it might sound clichéd, but I have a feeling this is going to be delightful.

Without further ado, let’s talk about what has yet to come this July.

July 7


Source: IMP Awards

Spider-Man Homecoming – Spider-Man made his MCU debut in Captain America: Civil War. He might have been added in at the last minute, but he certainly deserved to be in it. It was a joy to watch an actual teenager—given Tom Holland was 19 at the time—tackle the web-slinging superhero that everyone knew and loved. Holland gave a much better performance than both Tobey Maguire and Andrew Garfield.

Fresh from giving a powerful performance in The Lost City of Z, Holland returns to play the title character in Spider-Man: Homecoming. It’s surprising to see Michael Keaton play the villain this time. I guess it takes a hero to become the villain. I’m pretty certain we’ll keep seeing different interpretations of Spider-Man for years to come. Bring it on!


Source: IMP Awards

A Ghost Story – Believe it or not, this is perhaps my most anticipated movie of the entire summer. A Ghost Story is far from a horror movie. This is a drama about a man’s ghost (in a white sheet with two holes for eyes) exploring the afterlife after dying in a car crash. Director David Lowery—of the sluggish yet decent tribute to Terrence Malick, Ain’t Them Bodies Saints, and the surprisingly exceptional Pete’s Dragon—reunites Casey Affleck and Rooney Mara from Ain’t Them Bodies Saints to make another hit at this year’s Sundance. I’m hoping A Ghost Story will find an audience. Every shot is like a painting in motion. Totally looking forward to it!


Source: The Film Stage

City of Ghosts – This is a documentary following a group of Syrian journalists risking their lives to stand up against ISIS. Documentaries and journalism are two of my biggest interests. Seeing a preview of City of Ghosts opened my eyes. Hearing about journalists and soldiers getting killed in the Middle East (particularly by ISIS) is downright devastating. It’s fascinating to hear about the lives of people living across the ocean.

July 14


Source: IMP Awards

War for the Planet of the Apes – Hell yeah! The new Planet of the Apes trilogy is about to come to an end. While the 1968 film is a timeless sci-fi classic with one of the most iconic twists in film history (so iconic that it’s on the DVD cover), I actually prefer the new films. Rise was a marvelous build-up. And Matt Reeves brought the franchise to another level with Dawn, which is my personal favorite in the franchise. In War, the apes begin their civil war with a group of soldiers led by a vicious Colonel (Woody Harrelson). The reason why I prefer the new films over the original is not just because of the gorgeous visuals and motion capture being brought. But—rather the emotional appeal. The sequels of the original films are often dry and downright silly. It’s time for Reeves to end the trilogy on a high note.


Source: IMP Awards

Wish Upon – *sigh* Another horror movie with a dumb premise? Next!


Source: IMP Awards

Lady Macbeth – Whenever you see Lady Macbeth as the title of your movie, you might expect a prequel, of a sort, to Shakespeare’s Macbeth. This is anything but. One review described Lady Macbeth as: “Wuthering Heights, as if it was directed by Alfred Hitchcock” (not the exact quote, but you get the idea). Seeing the preview before Manchester by the Sea (twice), I saw something that might be tense.

July 21


Source: IMP Awards

Dunkirk – Christopher Nolan has directed some of the best films in existence—from The Dark Knight trilogy and Inception. His last film, Interstellar, had the potential of being a wonderful space film, but faltered from a manipulative script and a syrupy final act. This time, Nolan goes back to the past to depict the Battle of Dunkirk, where 400,000 allied forces from Britain, Belgium, Canada, and France are evacuated from the battle and are surrounded by the Germans. This movie doesn’t seem to follow the “war is hell” structure compared to most WWII films, which is a good thing. With a brilliant cast including Tom Hardy, Cillian Murphy, Kenneth Branagh, Mark Rylance, and One Direction’s Harry Styles (quite unususal, but hopefully, he’ll give a surprisingly good performance) This seems to be more of an intense war thriller than anything.  Please don’t disappoint me again, Christopher Nolan.


Source: IMP Awards

Valerian and the City of a Thousand Planets (try saying the title three times fast) – Known for directing Leon: The Professional, The Fifth Element, and Lucy, Luc Besson adapts a graphic novel, originally published in France (his home country). While I’m not familiar with comics, it doesn’t change my mind that Valerian and the City of a Thousand Planets looks horrible although visually stunning. I wouldn’t be surprised if it flops.


Source: IMP Awards

Girls Trip – Yay…another black comedy. Moving on.

July 28


Source: IMP Awards

The Emoji Movie – Another corporate sellout appealing to kids rather than adults? No, thank you.


Source: IMP Awards

Atomic Blonde – Charlize Theron continues her repertoire starring in action movies in which she plays a badass. Atomic Blonde is no exception. Teaming up with James McAvoy, this seems to be some brutal fun.


Source: IMP Awards

Menashe – In the orthodox Jewish community of New York City, a widow is struggling to live his life after the passing of his wife. Mostly told in Yiddish, Menashe seems to be fascinating sociological outlook of a least-known culture. While this is the first PG-rated film by A24, this movie seems to be more for adults than children (I guarantee they will be bored to death). I don’t know if I’ll see it, but it might be pretty good.


Source: IMP Awards

An Inconvenient Sequel: Truth to Power – The 2006 documentary An Inconvenient Truth brought forth some deep discussion about the climate change in our world. Al Gore is back to talk about how the Earth’s climate change has evolved since then. It might be okay, but I’m not entirely interested.


Most Anticipated: Atomic Blonde, City of Ghosts, Dunkirk, A Ghost Story, Spider-Man: Homecoming, War for the Planet of the Apes

Least Anticipated: The Emoji Movie, Girls Trip, Valerian and the City of Thousand Planets, Wish Upon,

I hope you all enjoyed what my thoughts on upcoming movies for July are. Please feel free to leave comments on what you are looking forward to this July. Stay tuned at the end of this month as I give my thoughts on what has yet to come in the month of August. Take care.

2017 Summer Movie Review: Their Finest


Katrin Cole (Gemma Arterton) makes propaganda history in Their Finest. (Source: IndieWire)

Movies set in World War II are always the most powerful. Movies about the movies are always the most entertaining. Danish filmmaker Lone Scherfig brings forth a talented British cast to provide the right amount of wit and charisma set during the harshest time in history.

The year is 1940. World War II is under way across the Atlantic Ocean. The Nazis have devastated London by the Blitzkrieg. Katrin Cole (the lovely Gemma Arterton) is a happily married woman from Wales, who gets a job in the Ministry of Information as a screenwriter for propaganda films. Working alongside Tom Buckley (Sam Claflin), they both work on a script for a movie set during the Battle of Dunkirk. With an impressive crew and cast including the famous Ambrose Hilliard (Bill Nighy), they intend to move British audiences as well as American audiences.

Based on the book, Their Finest Hour and a Half, this is a delightful little film about a woman having what it takes to work in the field empowered by men. The old-fashioned style with wonderful sets, gorgeous British landscapes, old gadgets, and the gifted cast make it all worth watching. Arterton is simply marvelous as Katrin; providing enough inner strength to work on writing scripts. Her chemistry with Claflin is hard not to grin, especially when they begin to flirt while filming scenes on the coast of Devon. Nighy is a straight-up laugh riot. While the film might be a tad overlong and it would be better off without some redundant supporting characters, there is plenty to like in Their Finest.