2017 Summer Movie Review: Wonder Woman

Wonder-Woman-No-Mans-Land-screenrant.jpg

Wonder Woman (Gal Gadot) springs into action in Patty Jenkins’ origin story of the Amazon princess. (Source: Screen Rant)

Wonder Woman has been around since World War II. Not only has the heroine been appreciated by women, but also men. A lot of you might remember the campy show from 1975 starring Lynda Carter, as she saves the world from the Nazis. While Wonder Woman has been featured in a couple of feature-length films (e.g. The LEGO Movie, Batman vs. Superman: Dawn of Justice), and straight-to-video animated films, there has never been a live-action standalone film starring her. Until now.

The DC Extended Universe is off to a rocky start. While Man of Steel provided a more twisted take on Superman, it hardly managed to stick with the nature of who he really is. Last year’s Batman vs. Superman had potential to make up for its predecessor’s flaws (including Superman seeing humanity wipe away from his eyes as opposed to saving it). While it did for the first thirty minutes, it resulted in being an absolute disgrace to both Batman and Superman. Suicide Squad, which also came out last year, also became a wasted opportunity featuring a talented cast, clunky action, and horrible exposition. This time, director Patty Jenkins (Monster) and her crew save the day by providing an origin story with heart, humor, badassery, emotion, and bursting with color.

Welcome to the Amazonian island of Themiscyra! Where it’s populated only immortal women, and men aren’t allowed due to war. Diana (Gal Gadot) wants to become a warrior just like everyone else including her aunt Antiope (Robin Wright). While her mother Hippolyta (Connie Nielsen) does not allow this to happen, Antiope secretly trains her anyway. One day, Diana discovers a plane crash landing in the water. She finds out the pilot is a man. His name is Steve Trevor (Chris Pine), an American working as a spy for the British. Diana learns about the Great War, and thinking Ares, the god of war, might be responsible. With her body armor, lasso of truth, among other weapons, Diana and Steve go to London to save the world from German general Ludendorff (Danny Huston) and his minion Isabel Maru (Elena Anaya), also known as Dr. Poison.

Prior to its release, the Alamo Drafthouse decided to hold women-only screenings for Wonder Woman. Not surprisingly, this caused outrage among everyone. While the theater chain never had screenings where men are only allowed for any superhero movie, it’s just a blow to the head in terms of gender equality. The demographic among movies based on comic books are intended for everyone. Wonder Woman is a prime example of being a symbol of gender equality. This movie is no exception. She works alongside men and cares for those around her. Given the movie is set during World War I, Jenkins intended to have the movie set during the height of the suffragette movement in Great Britain and the United States. With its traditional three-act structure, they each have an exhilarating, sleekly-edited action set piece. The scene where Wonder Woman walks through No Man’s Land is one of the best you will see all summer.

From being Miss Israel to starring in Fast and Furious, Gadot has certainly come a long way. She proves that she can be more than just a pretty face. She is charismatic, naïve, and simply kicks ass! Seriously! How can you not get pumped when the electric guitar music starts playing in the background once Wonder Woman heads into action!? (The score is another great one to add into Rupert Gregson-Williams’ repertoire).

Pine’s Steve Trevor provides the film’s deadpan sense of humor as he tries to understand about Diana’s nature, and eventually working with her and his buddies. His motivation serves the movie well, given its gender-neutral state. The supporting characters also have motivations of their own, particularly Ewen Bremner (Spud from Trainspotting) as the Scottish sharpshooter Charlie, who suffers from PTSD.

If the villains had a little more depth, Wonder Woman would have been a perfect movie. This is the first film from the DCEU that I’ll watch over and over again. Bring on the Justice League!

3.5/4

Advertisements

2016 Summer Movie Review: Suicide Squad

suicide-squad

A group of criminals team up to take down an entity in David Ayer’s Suicide Squad (Source: IMDb)

After the disaster known as Batman vs. Superman: Dawn of Justice, I wonder if the DC Extended Universe (starting with the 2013’s decent Man of Steel) will have a good movie for once. DC is remaining on the dark side with Suicide Squad. A great cast playing a group of supervillains under the direction of David Ayer—responsible for writing Training Day and directing End of Watch and the excellent WWII tank flick Fury.

After one year of anticipation, does it hold up? Not necessarily.

Is it better than Batman vs. Superman? You bet! But that’s not saying much.

Amanda Waller (Viola Davis) is the head of an intelligence agency. She and her officials recruit a team of criminals including Deadshot (Will Smith), Harley Quinn (Margot Robbie), Captain Boomerang (Jai Courtney), Killer Croc (Adewale Akinnuoye-Agbaje, a.k.a. Mr. Eko from Lost), among others. They form Task Force X to take down a witch known as Enchantress (Cara Delevingne) from taking over the world (insert Street Fighter reference here). While the Joker (Jared Leto) is on a mission of his own of getting even with his lover, the team must work together to save the world, or else they all get killed.

Suicide Squad has its moments. While every single character is as thin as a piece of paper, the performances are not bad. The only ones I cared for are Deadshot and Harley Quinn, kudos to the performances by Smith and Robbie, who reunite a year after Focus. The soundtrack—featuring the likes of The Rolling Stones, Credence Clearwater Revival, Eminem—is pretty awesome. There is plenty of dark humor sprinkled throughout the 130-minute duration (not surprisingly, this movie is the funniest in the DCEU). While Jared Leto breathes a different life into the Joker, the rest of the movie wouldn’t make a difference if his scenes got cut altogether.

The movie does not save itself from an incoherent script, choppy editing (notably the first act), an obnoxious action-filled finale, plot holes galore, and a lackluster villain (Delevingne’s Enchantress doesn’t look too bad visual-wise, but her purpose is beyond crap). Better luck next year, DC.

1.5/4