“Dawn of the Planet of the Apes”: Let’s Bring the Franchise to a Whole New Level!

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Hail, Caesar! (Source: Forbes)

In Rise of the Planet of the Apes, Rupert Wyatt brilliantly brings the popular franchise back to life. A San Francisco scientist created a drug that would cure Alzheimer’s disease. After deeming it a success to chimps, his co-workers decide to make a powerful version of the drug. This causes a worldwide epidemic after the apes had a rebellion on the Golden Gate Bridge to escape to Muir Woods National Monument. This leads up to the next film.

Dawn of the Planet of the Apes (2014) introduces somebody else to the director’s chair, and known for making some of the most ambitious films of this century. Enter Matt Reeves, the director of the sci-fi found-footage film Cloverfield and the vampire drama Let Me In (remake of 2008’s Let the Right One In). I’m glad he stepped in to direct more Planet of the Apes films. What he does with Dawn is as ambitious as it is pretty damn captivating.

Ten years after a simian flu outbreak, Caesar (Andy Serkis) and his apes have called the Muir Woods their home. They create their own laws (“Ape Not Kill Ape” being one of the key laws) and teach the young. The movie opens up with them hunting for elk (accompanied by Michael Giacchino’s haunting score, the choir feels reminiscent to Ligetti’s “Atmospheres”, used in the star gate sequence in 2001: A Space Odyssey). Seeing his son Blue Eyes (Nick Thurston) almost killed, Caesar tells him to “Think before you act.”

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The apes prepare for a battle in Dawn of the Planet of the Apes. (Source: Red Brick)

Meanwhile, a group of survivors, including Dreyfus (Gary Oldman), Malcolm (Jason Clarke), his wife Ellie (Keri Russell), and son Alex (Kodi-Smit McPhee), are living in a now-devastated San Francisco. They need to get the power running through the city; however, the dam that connects the power throughout the city is on the other side of ape territory. While Caesar wants to keep peace between apes and humans, Koba (Toby Kebbell) has a strong hatred for humans. He goes out of his way to kill every last of them for revenge.

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Koba (Toby Kebbell) kills in Dawn of the Planet of the Apes. (Source: Cinema Blend)

Dawn has plenty of connections to Battle. To be fair, this throws every single Planet of the Apes sequel out of the water. Reeves uses the connections from the original films to his full advantage. The movie has a marvelous theme involving supremacy with allegorical connections to Cain and Abel and the Palestinian-Israeli conflict. Caesar and Koba are two distinct yet different characters. Caesar’s leadership is through compassion. He might miss having a human companion, but he has to focus on protecting the apes in their sanctuary even his wife Cornelia (Judy Greer) sick after giving birth. A lot of apes join his side, including orangutan Maurice (Karin Konoval). In contrast, Koba is sick of the abuse being brought upon by the humans. In one scene involving dark humor, he encounters two people—Terry (Lombardo Boyar) and McVeigh (Kevin Renkin)—who sit back and having a drink after target practice. Koba entertains them until he picks up a gun and starts shooting them. The reason why Koba is one of the franchise’s most memorable villains is because he is so unpredictable at what might happen to him. It amazes me how smarter the apes are with each movie.

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Behind-the-scenes of Dawn of the Planet of the Apes with Jason Clarke and others. (Source: Wall Street Journal)

Motion capture has certainly come a long way after The Lord of the Rings trilogy. Weta Digital is back to make the CGI apes as seamless as ever. I’m surprised Andy Serkis has not received a special Academy Award for bringing these characters to life. His performance as Caesar is one of the most powerful I have seen in many years. Furthermore, he’s one of the only characters performed through motion-capture that moved me to tears. His affection for humans is just the same for his affection for his ape friends. While Malcolm (wonderfully played by Clarke, fresh from starring as one of the NAVY seals assigned to kill Osama bin Laden in Zero Dark Thirty) may not be like Will, but he has a similar motivation as Caesar in every way. He has suffered so much during the ten years, and wants to have peace in the world as opposed to violence. After losing his youngest daughter to the outbreak, the only people he has to care about is Ellie and Alex. Once Malcolm finds shelter at Caesar’s childhood home, he and his family must help him get back to health. In one powerful scene, Caesar goes through the attic and sees a video camera. He watches a video of him as an infant learning sign language from Will. Malcolm asks who that was in the video. Caesar says, “A good man…like you.”

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Dreyfus (Gary Oldman) looking badass holding that machine gun in Dawn of the Planet of the Apes. (Source: Internet Movie Firearms Database)

Dawn is perhaps the most complex film in the series, filled with compelling characters. Gary Oldman’s Dreyfus, for instance, is particularly complicated. It’s obvious that he has a law enforcement background. He lost everything, from his family to his job as a police officer. He’s not happy with Caesar and the apes living on this planet. He’s struggling just as much as everyone else. From the villain in The Fifth Element, Sirius Black, Commissioner Gordon, and now he’s going to play Winston Churchill in the upcoming Darkest Hour, it proves how great of an actor Oldman is.

This movie is most certainly not without its action. Nothing looks more awesome than seeing a group of apes riding on horseback (the shot of the tank is also just as gorgeous as the miraculous sets of post-apocalyptic San Francisco and the apes’ sanctuary). When they finally go at it against the humans, it makes the audience root for both sides. Meanwhile, Caesar has reached his breaking point with Koba, they fight in one of the most thrilling fights set on top of a tower.

It is impossible to top such a classic like the 1968 version of Planet of the Apes, but Matt Reeves has made a wonderful piece of science-fiction with Dawn of the Planet of the Apes. It has just enough thrills, emotion, dark comedy, and visual wonder to make it my personal favorite film in the series. Bring on, War for the Planet of the Apes!

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Top 10 Best Movies of 2014

Now we’re working our way to the top. There are several great movies that I have missed in theaters this past year, like Whiplash, Nightcrawler, The Theory of Everything, John Wick, Foxcatcher, and St. Vincent. But I was lucky to catch lots of fantastic movies in theaters. Here is my list of the best movies of 2014.

Honorable Mentions: 22 Jump Street, American Sniper, Belle, Big Eyes, Big Hero 6, Captain America: The Winter Soldier, Chef, Edge of Tomorrow, The Fault in our Stars, Fury, Godzilla, How to Train Your Dragon 2Interstellar (even though it was overhyped, there was plenty to like about this movie), Into the Woods, The LEGO Movie, Noah, Wild

Snowpiercer10. Snowpiercer – This is one of the best movies that got snubbed in this year’s Oscars. Korean director Bong Joon-Ho makes a futuristic picture with a George Orwell vibe. Global warming has been reversed, which causes humanity to be killed off. The remaining survivors aboard a train that is separated by three classes. Sitting in the caboose, one of the survivors (Chris Evans) leads a group of low-class citizens to make their way to the front of the train. Featuring an all-star cast, thought-provoking themes involving society, brutal action, and amazing special effects, Snowpiercer is worth the train ride.

hobbit-battle-armies9. The Hobbit: The Battle of the Five Armies – I personally consider The Hobbit as the most underrated film trilogy. It was great going back to experience the magical world of Middle-Earth while reuniting with characters that I’ve known, loved, or loved to hate; as well as meeting new faces. This trilogy has been a long, unexpected, and downright exciting journey. Even though the trilogy changed the main focus to be on Thorin Oakenshield than Bilbo Baggins, it still stays true to J.R.R. Tolkien’s book. Being the shortest film in the franchise (144 minutes), The Battle of the Five Armies ends the trilogy with a bang. A lot of emotion, breathtaking battle scenes (especially the final battle being the best since The Lord of the Rings: The Return of the King), and an amazing song by Billy Boyd playing during the end credits is enough to become one of the year’s best. Thank you, Peter Jackson, for making two of the best film trilogies in recent years.

THE IMITATION GAME8. The Imitation Game – Benedict Cumberbatch is becoming one of my favorite actors. From playing detective Sherlock Holmes to the dragon Smaug in The Hobbit trilogy, now he plays Alan Turing in an exquisite performance. If you don’t know who he is, he was a leader of the breaking of the Enigma code during World War II. Then, he became convicted for his homosexuality, which was considered illegal in the U.K. in 1952. Despite the problems he went through, he became the inspiration for the computer that I’m typing my blog posts on. I don’t give a damn if this movie is historically inaccurate. A historical piece doesn’t have to be accurate. I loved every bit of this funny, heartbreaking, and moving historical piece.

X-Men-Days-of-Future-Past7. X-Men: Days of Future Past – Bryan Singer came back to direct the sequel to X-Men: First Class eleven years after X2: X-Men United. Not only is it one of the best movies from the summer, it’s also the best in the X-Men franchise. It’s great to have Brits Patrick Stewart and Ian McKellen reprising their roles of Professor X/Charles Xavier and Magneto/Erik Lehnsherr. But the focus is on Logan/Wolverine, as always excellently played by Hugh Jackman, as the team uses his consciousness to send him back to 1973 to prevent robots from taking over the world. Along the way, he encounters the younger versions of Xavier and Lehnsherr (James McAvoy and Michael Fassbender) to help him to save the past to prevent the future. This movie had just enough action, special effects, character development, and humor. Not to mention the scene involving Quicksilver in the White House kitchen with Jim Croce’s “Time in a Bottle” playing in the background has to be the funniest and the coolest action set piece of the decade. I cannot wait to see how Quicksilver would be portrayed in The Avengers: Age of Ultron. I don’t know if Joss Whedon will make him as funny as Bryan Singer did in X-Men: Days of Future Past. We’ll see.

Dawn-POTA6. Dawn of the Planet of the Apes – Three years ago, Rupert Wyatt directed Rise of the Planet of the Apes, a reboot of the 1968 classic Planet of the Apes. I couldn’t have asked for a better climax – with similarities of Conquest of the Planet of the Apes – building up to its sequel, Dawn of the Planet of the Apes. Matt Reeves takes the franchise to a completely different level. Even though it has similarities of Battle for the Planet of the Apes, this throws the sequels out of the water. This movie reminds us why there is motion-capture. I hope Andy Serkis gets a special Academy Award for bringing motion-capture to life. His performance as Caesar is as powerful as in Rise. The scene in which he watches a video on a fully charged camcorder of himself as an infant being taught by Will the scientist is one of the most emotional scenes of the year. I think that’s why I prefer Rise and Dawn over the original Planet of the Apes films. Because they offer more emotion.

GuardiansOfTheGalaxy5. Guardians of the Galaxy – One of the biggest surprises of the summer, indie director James Gunn introduces a group that a lot of people have never heard of. He puts enough wit and charm into these characters to make us connect with them. I saw Guardians of the Galaxy three times in the theater, I had a blast each time I saw it. When Peter Quill (Chris Pratt, in an awesome performance) turns on his Walkman and dances to Redbone’s “Come and Get Your Love” on an abandoned planet, I knew I was in for a treat. Even though it features breathtaking visuals and exhilarating action, the main focus is the memorable characters and the witty dialogue. Not to mention the best soundtrack in recent memory. Cannot wait for the sequel.

Ben Affleck in Gone Girl4. Gone Girl – There are several movies this past year that made me speechless once the credits started rolling. Gone Girl is one of those movies. Based on Gillian Flynn’s bestselling novel, Ben Affleck delivers the performance of his career as Nick Dunn, who becomes a suspect of his wife’s disappearance. I always like a good mystery. But there was rarely one where it had me on the edge of my seat from the first image. Kudos to a great marketing campaign, David Fincher and his team make an atmospheric thriller that gives a realistic glimpse of the media. With dark humor, many twists and turns, and a haunting score by Trent Reznor and Atticus Ross, Gone Girl has the feeling of a film noir. The gorgeous Rosamund Pike plays the craziest wife I’ve ever seen in a movie. She is an enigma to the characters as well as the audience through narration and flashbacks. I want her to beat Julianne Moore for the Best Actress Oscar.

07GRAND-articleLarge3. The Grand Budapest Hotel – Wes Anderson is one of my favorite filmmakers. I love almost all of his films. Unlike most filmmakers, he has his own unique style. Moonrise Kingdom is the first film that introduced me into his colorfully surreal world of zaniness. After seeing all of his early films, I wasn’t disappointed with The Grand Budapest Hotel. Wes Anderson has made the funniest film of his career. I couldn’t picture anyone else playing a better performance as Monsieur Gustave H. other than Ralph Fiennes. He has so much wit and charm as the flirtatious concierge who embarks on a journey to clear his name after being accused of murdering his former lover. His timing is spot-on. With a terrific ensemble featuring F. Murray Abraham, Adrien Brody, Willem Dafoe, Jeff Goldblum, Edward Norton, Saoirse Ronan, Jason Schwartzman, Tom Wilkinson, and newcomer Tony Revolori, The Grand Budapest Hotel is definitely worth the visit. I’m surprised it got nine Oscar nominations (including Best Picture) this year.

Birdman2. Birdman – Nominated for nine Oscars including Best Picture, Birdman, or The Unexpected Virtue of Ignorance is the greatest film that Alfred Hitchcock or Alfonso Cuarón never made. Alejandro González Iñárritu and cinematographer Emmanuel Lubezki make the most technically ambitious film of the year, using various film and editing techniques to make it look like it’s one continuous shot. The scene where washed-up actor Riggan Thomson holds a grudge on a New York Times theatre critic who is going to give his play a negative review before opening day proves that Michael Keaton might win the Oscar. This is a funny, satirical, bizarre, philosophical, and moving picture that reminds us why movies are made.

Boyhood-11. Boyhood – There has never been a film from 2014 that moved me as much as Boyhood did. Richard Linklater started production on this 12-year project in 2002 using the same actors and the same crew. It feels like he didn’t just make a film, but rather a lesson on adolescence. Linklater naturally depicts how kids and teenagers behave. Even though there aren’t any subtitles on what year we’re in, the audience sees the main character Mason (Ellar Coltrane, in a wonderfully convincing performance) grow up right before their eyes when his voice deepens, his hair grows longer, or if there is a conversation about the war in Iraq. This is a film that made me relate the fun times and hard times I had as a child and the responsibilities I’m going to have as an adult.

There are times in the film where Richard Linklater references his early films. There are scenes involving Mason having conversations with his father (amazingly played by Ethan Hawke) about a possible Star Wars sequel, getting advice, and talking about their day. They connect to Before Sunrise, Before Sunset and Before Midnight. Patricia Arquette needs to earn her Oscar as Mason’s mother who is trying to do the best she can for her kids.

To quote Richard Roeper: “There are so many things that could have gone wrong with this project when you really think about it. What if young [Ellar] Coltrane grew up to be a terrible actor in his teens? What if Lorelei [Linklater] decided five years ago she didn’t want to be in her dad’s movie anymore? Fortunately, for Linklater, and for us, it all came together beautifully.”

Boyhood is the most special movie-going experience I’ve ever had at the movie theater. Not only is it the best movie of 2014, it’s also the best movie of the decade so far and one of my favorites of all-time. This is a movie that should be seen by everyone.

I hope you enjoyed reading my choices for the best films of 2014. Feel free to leave a comment on what your favorite films of 2014 are. I cannot wait to see more great films this year. Take care.

2014 Summer Movie Review: Dawn of the Planet of the Apes

Malcolm (Jason Clarke) enters the land occupied by Caesar and his apes in Matt Reeves' "Dawn of the Planet of the Apes"

Malcolm (Jason Clarke) enters the land occupied by Caesar and his apes in “Dawn of the Planet of the Apes”

I haven’t seen any of the Planet of the Apes movies, but I am familiar with the series. The only one I’ve seen was Rise of the Planet of the Apes. I was pleased with what I saw. It featured an underrated performance by James Franco (before he became a complete joke) as Will, a scientist testing his Alzheimer’s cure on his father and then on a chimp named Caesar. I couldn’t have asked for a better climax resulting in an incredible build-up for the sequel. In Dawn of the Planet of the Apes (which I’ve seen last night), director Matt Reeves (Cloverfield, Let Me In) takes the story to a whole new level.

The movie opens in 2016, where our hero Caesar (Andy Serkis) and his group of apes unleashed a virus leaving billions around the world dead. The reason for this is that they could make peace for themselves. After taking San Francisco by storm a decade earlier, Caesar and his apes have settled in Muir Woods. He becomes the leader of the apes; learning that apes are equal, and they should not kill other apes (nod to George Orwell’s Animal Farm). He has a family; his wife Cornelia (Judy Greer) becomes ill after giving birth. His son Blue Eyes is walking in the forest when he spots a human.

The human, Carver (Kirk Acevado) is one of the few hundred survivors of the virus outbreak. He’s a member of a group, led by Malcolm (Jason Clarke), struggling to make peace. With no power in the city, the group decide to enter Muir Woods to generate a dam that might restore the power. Dreyfus (Gary Oldman), the head of the survivors, doesn’t appreciate the apes living on Earth. He decides to go to war with the apes to prove who’s the dominant species.

Caesar has as much respect for the survivors as for the apes like he did with Will in Rise. Even though he acts like a human-being, he is really sympathetic to humans. In one emotional scene, Malcolm and his family find shelter in Caesar’s childhood home when the war between man and apes is taking place. Caesar stays up in the attic for the night as he finds a fully charged camcorder. He presses ‘play’ and he watches a video of himself (as an infant) being taught by Will. After the video, Malcolm asks him “Who was that in the video?” “A good man,” Caesar responds, “Like you.” However, his lieutenant Koba (one of the best villains in recent memory), prefers to kill every human-being on Earth. This is understandable that he leads the other apes to war against the humans for Caesar. Dawn of the Planet of the Apes hits it out of the park with emotion.

Reeves brilliantly captures the ruined city of San Francisco and the apes’ settlement with an allegorical, emotionally powerful and action-packed story as intelligent as the apes themselves. It looks like the humans are actually corresponding to the computer-generated primates without pretending they aren’t even there. The motion capture is as phenomenal as ever; it makes us forget we’re watching an actor capturing the ape’s body language rather than a realistic CGI creation. I think it’s time that Andy Serkis receives a special achievement Oscar for bringing this wonderful technology to life. From Gollum to King Kong to Caesar, he’s definitely brought motion capture to the next level. If it isn’t for him, it would probably get old very fast. This is how a sequel is made!

4/4

2014 Summer Movie Preview: July

Two months down; two months to go. So far, this summer had some movies that met and exceeded my expectations. It also had its fair share of surprises and failures. I don’t think this July will have some great mainstream films, but I’m hoping it will be a memorable month for independent films. I’m quite upset Jupiter Ascending got pushed back from July 18th to February 6, 2015. Channing Tatum has literally improved as an actor, and I’m hoping it will be worth waiting to see him with his pointy ears, alongside Mila Kunis, in that nifty-looking visual extravaganza by the creators of The Matrix.

Probably this month will look good even though it got pushed back, not to mention a new one by Woody Allen and one that took 12 years in the making. Here are my thoughts on what has yet to come in the month of July.

July 4

Tammy

Tammy (opens July 2) – Kicking off the 4th of July weekend is the highly-anticipated comedy starring Melissa McCarthy. She plays the title role going on a road trip with her mother after getting fired from her job at a local fast-food joint. Known for being on the hit sitcom Mike & Molly, McCarthy redefines the means of making a comedy worthwhile. After having everyone in stitches in last year’s buddy comedy The Heat, she has a trick of delivering a punchline that is timed so perfectly. Also starring Susan Sarandon, Tammy looks like it will be good for a few laughs.

Deliver Us From Evil

Deliver Us From Evil (opens July 2) – I’m not a big fan of horror films. Even if they are based on a true story, the result would be too ridiculous to be true. Not to mention lacking tension and atmosphere, it would rather focus more on gimmicky blood and gore, characters we would care less about, and boring the hell out of the audience. Deliver Us From Evil looks far from the shtick we’ve been getting over the years. It may have a familiar concept involving a person being possessed by the devil, but it looks well-executed. I’ll wait and see if it will hold up to the true story it’s based on, not just making it dull and worthless.

Earth to Echo

Earth to Echo (opens July 2) – Looking like a cross between E.T. and Chronicle, Earth to Echo is the first in the found-footage sub-genre to be more family-oriented. We’re all familiar with the concept; a group of kids help an extraterrestrial to bring it back home. Super 8 had a familiar plot, but what mattered was the execution. J.J. Abrams did an astounding job with that, and also paying tribute to Steven Spielberg. On the other hand, despite the unoriginal concept, this looks quite standard in my opinion. I appreciate the filmmakers giving a purpose to audiences having a feeling of summer nostalgia. It might turn out good, it might turn out bad.

Begin Again

Begin Again (now playing in NY/LA, opens July 2) – After the success of Once, fans have been wondering why musicals should be small and independent rather than big and extraordinary. John Carney returns in the director’s chair to direct another low-budget musical. This time, he’s bringing it to America, featuring some modern musicians (Adam Levine from Maroon 5 and Cee Lo Green) and the charming Keira Knightley and Mark Ruffalo. I have a feeling it would be delightful.

July 11

Dawn of the Planet of the Apes

Dawn of the Planet of the Apes – For someone who hasn’t seen the original Planet of the Apes movies, I was really pleased with the 2011 reboot Rise of the Planet of the Apes. It featured a compelling story about a scientist who successfully tests a breakthrough drug (that could cure Alzheimer’s disease) on a chimpanzee named Caesar. When Caesar is imprisoned in an ape sanctuary, he leads an uprising with his fellow apes. Not only James Franco did a really good job in the movie but I think the highlight is Andy Serkis. He captures the expressions and body language of Caesar so well that it looks like we’re connecting to an actual ape than the person behind it. The effects (notably the apes) are beyond excellent, and it contains one of the best climaxes of this decade.

I have a feeling the sequel, Dawn of the Planet of the Apes, might be another one of those rare sequels that will surpass its predecessor. Featuring a great cast lead by Gary Oldman and a battle between humans and apes after a virus outbreak, I’m really looking forward to seeing this. I think it’s awesome that Caesar is going to talk more. He only had a couple of scenes of dialogue in the last film. Not to mention the moment where Caesar yells “NO!”

Boyhood

Boyhood – This is my most anticipated movie for the month of July. I’ve never seen a movie that looked as unique as Boyhood. Getting a lot of praise coming out of Sundance, Richard Linklater’s exploration of life seen through the eyes of a boy took 12 years to make. He would use the same cast (Patricia Arquette, Ethan Hawke, Ellar Coltrane, Lorelei Linklater) to act in sequences where they naturally develop over the time-period. It’s a similar technique he did with the Before trilogy; casting Ethan Hawke and Julie Delpy every nine years to see the characters naturally mature. Boyhood looks like a special movie-going experience.

July 18

The Purge - Anarchy

The Purge: Anarchy – Really? Do they have to make another one? The first film had one of the most absurd concepts I’ve ever heard. If you forgot the concept from the first film, it takes place in the not-too-distant future where the government sets a 12-hour period in which every illegal crime becomes legal. The sequel has the same exact concept, which is good enough for me to skip it.

Planes - Fire and Rescue

Planes: Fire & Rescue – I haven’t seen its predecessor because it looked like a big, cheap, lazy spin-off to Cars. It gives a good reason why I’m skipping this one.

Sex Tape

Sex Tape – The concept sounds more like a sitcom than a mainstream comedy. A couple makes a sex tape on their iPad one night. The next couple of days, they must find out who was responsible for posting their sex tape. Because it stars two funny actors (Cameron Diaz and Jason Segel) doesn’t mean it looks any good.

I Origins

I Origins – The movie follows a molecular biologist examining the evolution of the human eye. After meeting a woman, he realizes his research complicates his scientific and spiritual beliefs which leads him to travel around the world. I have to admit the movie has an undeniably clever idea, but, from watching the trailer, it seems like the movie is going go all over the place. First, it starts off as a straight-forward sci-fi picture, then it sort of transitions into a romantic drama. I might end up renting this one.

July 25

Hercules

Hercules– Boy, oh boy. Do I have to explain why this movie looks bad? It wouldn’t surprise me if Brett Ratner would make something that is worse than X-Men: The Last Stand. Dwayne Johnson sure does have a lot of muscles to play the titular role, but I don’t think his performance would do it justice. There is a scene in the trailer where Hercules is about to fight zombies. That pretty much sums that I would avoid the movie at all costs.

Lucy

Lucy – Now that’s what I’m talking about! It may have similar concept to Limitless, but who wants to see a movie starring Scarlett Johansson as a woman turning into a superhuman after discovering a drug is implanted in her body? It looks insane!

Magic in the Moonlight

Magic in the Moonlight – After making Annie Hall back in 1977, there would be a movie written and directed by Woody Allen every year. Up to this day, critics would believe that half of his movies turned out good, and the other half turned out bad. After last year’s Blue Jasmine, I wondered how someone who sexually abused his daughter would be such a gifted actor/filmmaker. He created a darkly funny and devastating character study featuring a performance that made Cate Blanchett win the Oscar.

His latest movie, Magic in the Moonlight, looks delightful. Woody Allen bringing the charm of “The Roaring Twenties” in France to life is like a dream come true. Movies set in France (notably Paris) make me want to go there so bad. Emma Stone and Colin Firth look terrific together. I’m looking forward to seeing this one.

Recap:

Most Anticipated: Boyhood, Dawn of the Planet of the Apes, Lucy, Magic in the Moonlight

Least Anticipated: Hercules, Planes: Fire & Rescue, The Purge: Anarchy

I hope you enjoyed reading on what my thoughts are on the upcoming movies for the month of July. Tell me in the comments on what are your most anticipated movies and least anticipated movies for the month of July. Stay tuned for a movie preview for the month of August at the end of July.