In 2003, best-selling author David Grann wrote an article in the New Yorker about Forrest Tucker, the most charming criminal who ever lived. He writes about how Tucker was a troublemaker all of his life; serving time in jail constantly. His first crime was stealing a car at the age of 15. He successfully escaped from prison more than a dozen times. What brought the attention to the public was his most famous escape from San Quentin in 1979. Heading into the 1980s, Tucker goes back to rob banks with sheer politeness.
Fast-forward to 2018. Writer-director David Lowery adapts the stranger-than-fiction story with the legendary Robert Redford as the titular “old man”. If The Old Man and the Gun is his last role before retirement, he’s going out with a bang!
The movie opens up in 1981, where Forrest Tucker (Redford) escapes from the authorities after robbing a bank. He sees a woman named Jewel (Sissy Spacek) with her truck broken down on the side of the road. As he gives her a hand, we see the police cruisers speeding past them. This is not the only time he gets away with it.
After pulling off a series of heists with his partners–Teddy (Danny Glover) and Waller (Tom Waits)–throughout Texas, as well as Little Rock, St. Louis among other cities, the bank tellers, the authorities, and the general public are pleasantly surprised by Tucker’s manners. This sparks the attention from Detective John Hunt (a superb Casey Affleck), who is on his tail. As Tucker and Jewel develop a relationship, it won’t be long until Tucker is caught.
From Butch Cassidy and the Sundance Kid to The Sting to All the President’s Men to The Natural to All is Lost, Redford has had a memorable acting career. His performance as Forrest Tucker marks another remarkable performance in his long repertoire (he might earn his first Best Actor Oscar). It’s damn near impossible not to smile at our protagonist when he gets away with pulling off his bank heists or when he says “riding a horse” is on his bucket list. Tucker is so optimistic in his hobby, but he is aware it might lead him into jail and planning on his escape. His sense of humor is as sly as a fox. His chance encounter with Detective Hunt is simply priceless.
Spacek–who also had a long, memorable acting career, and is still going–provides as much charm as Redford’s as Jewel, the love interest who might not believe in what Tucker does for a living. Elisabeth Moss makes a brief yet effective appearance as Tucker’s daughter, Dorothy, who is interviewed by Hunt about her father, whom she has never met.
There will never be a movie like The Old Man and the Gun. Compared to Lowery’s two previous indie films, Ain’t Them Bodies Saints and A Ghost Story, the movie might not move at the fastest pace. However, it’s never boring. Thanks to Lowery’s confident direction and witty screenplay, it takes its time wisely to move along to root for our protagonist. Joe Anderson’s stunning cinematography and the wonderful music–from Daniel Hart’s score to the songs by The Kinks and Jackson C. Frank–give the movie that warm, vintage feel while throwing in some subtle nods to Redford’s early work. This is something that will stick with you for the rest of your life!